| Acknowledgments | |
| A Note on Sources | |
| Introduction | 3 |
| 1 | Literature and Transgression | 10 |
| 2 | Language, History, and Their Destinies of Incompletion | 18 |
| 3 | Blanchot's Suicidal Artist: Writing and the (Im)Possibility of Death | 35 |
| 4 | Mythical Portrayals of Writing and Reading | 46 |
| 5 | Writing the Disaster: Henri Sorge's Journal | 72 |
| Silencing the Critics of the State | 72 |
| An Awkward Silence | 83 |
| The Crisis of (Mis)Representation | 87 |
| The Poetics of Writing the Disaster | 98 |
| Ink-Stained Pages | 108 |
| Sorge's "Fable" and Fragments on Narcissus | 115 |
| Sorge's Revolt | 121 |
| 6 | Flagrants Delits: Caught in the Act of Self-Reading | 127 |
| Discreet Violations of the Noli | 127 |
| Getting Started, Finishing Up: The Pro/Epilogue of L'Attente l'oubli | 132 |
| Putting Their Story into Words | 138 |
| Perspectives of Authority | 143 |
| The Reversal | 153 |
| Flagrants delits | 159 |
| Qui parle? | 162 |
| De Man's Blind Spot | 168 |
| The Law of the Genre | 171 |
| Conclusion: Blanchot's Postmodern Legacy | 173 |
| Notes | 201 |
| Bibliography | 233 |
| Index | 239 |