| | TABLE OF CONTENTS: | List of Illustrations | | | Preface | | | Introduction | 3 | | I | Vincenzo Giustiniani | | | Ch. 1 | The Greek Style, the Exquisite Taste, and the Prehistory of Neoclassicism | 23 | | Ch. 2 | Vincenzo Giustiniani's Galleria: A Taste for Style and an Inclination to Pleasure | 64 | | II | Cassiano Dal Pozzo | | | Ch. 3 | Poussin's Sacrament of Confirmation, the Scholarship of Roma sotterranea, and Cassiano dal Pozzo's Museo Cartaceo | 109 | | Ch. 4 | On the Experience of Light and Color: Poussin, Padre Zaccolini, Cassiano dal Pozzo, and the Legacy of Leonardo | 145 | | III | Montaigne | | | Ch. 5 | Painting and Possession: Poussin's Self-Portrait for Chantelou and the Essais of Montaigne | 177 | | Ch. 6 | Mavors armipotens: The Poetics of Self-Representation in Poussin's Mars and Venus | 216 | | IV | The Poets | | | Ch. 7 | Marino's La Strage degli Innocenti, Poussin, Rubens, and Guido Reni | 253 | | Ch. 8 | Death in Arcadia | 279 | | Notes | 313 | | Bibliography | 347 | | Index | 363 |
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