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Relics, Prayer, and Politics in Medieval Venetia:
Romanesque Painting in the Crypt of Aquileia Cathedral
Thomas E. A. Dale

Book Description | Reviews

TABLE OF CONTENTS:

Acknowledgments
List of Illustrations
Abbreviations
Introduction3
1History and Hagiography: Apostolic Mission and the Patriarchal Title in Medieval Venetia7
2The Architectural Setting of the Relics12
3Byzantine and Romanesque: Painting Styles, Dating, and Meaning21
4The Intercessory Program35
5The Hagiographic Cycle and Ecclesiastical Politics42
6Christ's Passion and the Compassio of the Virgin: Romanesque Icons in Space57
7The Fictive Curtain as Allegorical Veil66
8Ornament as Decoration, Frame, and Bearer of Meaning77
Conclusion82
App. 1Iconographic Catalogue87
App. 2Giandomenico Bertoli's Description of the Crypt, 30 April 1724120
Notes124
Bibliography156
Index166

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File created: 11/5/2011

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