| List of Illustrations | |
| Acknowledgments | |
| Ch. 1 | Perenni Vena Scaturiunt: The Ubiquity of Antique Coins in the Renaissance | 3 |
| Ch. 2 | Copia et Varietas Rerum: The Abundance and Variety of Numismatic Imagery | 12 |
| Ch. 3 | Infinite Riches in a Little Room: Titian's Portrait of Jacopo Strada | 26 |
| Ch. 4 | Qui Sic Amat Alienas Imagines: Ancient Coins as Sources of Virtu in Renaissance Italy | 34 |
| Ch. 5 | Promiscue Omnia Mercantur: Nummomania Spreads to the North | 40 |
| Ch. 6 | Antiquarius Romanus: Andrea Fulvio and the Illustrium imagines | 52 |
| Ch. 7 | "Dares": Who Was the Artist of the Illustrium imagines? | 70 |
| Ch. 8 | Ceux Qui Ont Escrit des Medalles: The Earliest Numismatic Bibliography | 88 |
| Ch. 9 | Comme au Clair Miroir de I'Ame: Rouille, Physiognomy, and the Renaissance Bildnisvitenbucher | 95 |
| Ch. 10 | Multorumque Monent Quae Tacuere Libri: Coin Books and Emblem Books in the Sixteenth Century | 105 |
| Ch. 11 | Non Sine Maximo Sudore: The Great Corpora Projects of the Later Cinquecento | 123 |
| Ch. 12 | Figure de'Corpi, e Historia Che Tace: Empiricism and Rationalism in Renaissance Numismatics | 134 |
| Notes | 147 |
| App | A Biographical and Bibliographical Guide to Renaissance Numismatists and Their Books | 185 |
| Bibliography: Works cited in the Appendix | 215 |
| Index | 221 |
