| | TABLE OF CONTENTS: Prefaces ix
Notes on the Contributors xiii
List of Illustrations xvii
Abbreviations xxv
COLUM HOURIHANE Introduction 3
PART 1. ICONOGRAPHY
JAROSLAV FOLDA Problems in the Iconography of the Art of the Crusaders in the Holy Land: 1098-1291/1917-1997 11
DEBRA HASSIG The Iconography of Rejection: Jews and Other Monstrous Races 25
ALISON STONES Nipples, Entrails, Severed Heads, and Skin: Devotional Images for Madame Marie 47
DOROTHY HOOGLAND VERKERK Moral Structure in the Ashburnharn Pentateuch 71
ADELAIDE BENNETT A Woman's Power of Prayer versus the Devil in a Book of Hours of ca. 1300 89
CYNTHIA HAHN Interpictoriality in the Limoges Chasses of Stephen, Martial, and Valerie 109
ANDREAS PETZOLD Of the Significance of Colours: The Iconography of Colour in Romanesque and Early Gothic Book Illumination 125
JAMES D'EMILIC Looking Eastward: The Story of Noe at Monreale Cathedral 135
GIOVANNI FRENI The Architecture and Sculpture of the Portal of the South Side of Arezzo Cathedral 151
AVRIL HENRY Daring Conflation? A Difficult Image in the Genesis Sequence of the Eton Roundels (Eton College, Ms. 177, f. 2r) 169
JOHN V. FLEMING The Personal Appropriation of Iconographic Forms: Two Franciscan Signatures 205
PART 2. METHODOLOGY
LUTZ HEUSINGER How to Improve Art-Historical Services 215
HELENE E. ROBERTS The Persistence of Mythological, Religious, and Literary Narratives as Subjects of Works of Art 227
PETER VAN HUISSTEDE The Iconography of The Ship of State by Peter Paul Rubens: A Variant on the Theme Hercules am Scheidewege 243
CAROL TOGNERI ICONCLASS and Its Application to Primary Documents 259
HANS BRANDHORST Ululas Athenas: Owls to Athens 271
JURGEN VAN DEN BERG AND GERDA G. J. DUIJFJES-VELLEKOOP Translating ICONCLASS and the Connectivity Concept of the Iconclass2000 Browser 291
Index 307
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