| | TABLE OF CONTENTS: Acknowledgments ix
PART I THE EVOLUTION
Introduction: Constructions and Reconstructions of Debussy by JANE F. FULCHER 1
Debussy's Rome Cantatas by JOHN R. CLEVENGER 9
Debussy, Gautier, and "Les Papillons" by MARIE ROLF 99
Bilitis and Tanagra: Afternoons with Nude Women by DAVID GRAYSON 117
Beyond the Illusions of Realism: Painting and Debussy's Break with Tradition by LEON BOTSTEIN I41
The Symphony in Debussy's World: A Context for His Views on the Genre and Early Interpretations of La Mer by BRIAN HART 151
Speaking the Truth to Power: The Dialogic Element in Debussy's Wartime Compositions by JANE F. FULCHER 2O3
PART II THE CONTEXT
Debussy, Faure, and d'Indy and Conceptions of the Artist: The Institutions, the Dialogues, the Conflicts by GAIL HILSON WOLDU 235
Debussy, Mallarme, and "Les Mardis" by ROSEMARY LLOYD 255
Debussy in Fin-de-Siecle Paris by CHRISTOPHE CHARLE 271
PART III DOCUMENTS
Debussy's Paris Gonservatoire Training COLLECTED, EDITED, AND INTRODUCED BY JOHN R. CLEVENGER 299
"Le Cas Debussy": Revisions and Polemics about the Composer's "New Manner" COLLECTED AND TRANSLATED BY BRIAN HART 363
Index 383
Notes on Contributors 394
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