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The A. W. Mellon Lectures in the Fine Arts
The A. W. Mellon Lectures in the Fine Arts have been delivered annually since 1952 at the National Gallery of Art, Washington, D.C. They are afterward published in Bollingen Series, under the collective number XXXV.
- After the End of Art: Contemporary Art and the Pale of History. A.C. Danto.
- Art and Illusion: A Study in the Psychology of Pictorial Representation. E.H. Gombrich.
- From Drawing to Painting: Poussin, Watteau, Fragonard, David, and Ingres. P. Rosenberg.
- A History of Building Types. N. Pevsner.
- Imago Dei: The Byzantine Apologia for Icons (New in Paper). J. Pelikan.
- Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill. H. Vendler.
- The Moment of Caravaggio. M. Fried.
- The Nude: A Study in Ideal Form. K. Clark.
- Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still. J. Golding.
- Picasso and Truth: From Cubism to Guernica. T.J. Clark.
- Pictures of Nothing: Abstract Art since Pollock. K. Varnedoe.
- The Roots of Romanticism. I. Berlin; H. Hardy, ed.
- The Roots of Romanticism (Second Edition). I. Berlin; H. Hardy, et al., eds.
- Ten Thousand Things: Module and Mass Production in Chinese Art. L. Ledderose.
- The Use and Abuse of Art. J. Barzun.
File created: 5/1/2013
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