A.W. Mellon Lectures in the Fine Arts

The A. W. Mellon Lectures in the Fine Arts have been delivered annually since 1952 at the National Gallery of Art, Washington, D.C. They are afterward published in Bollingen Series, under the collective number XXXV.

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• After the End of Art: Contemporary Art and the Pale of History. A.C. Danto.
• Art and Illusion: A Study in the Psychology of Pictorial Representation. E.H. Gombrich.
• From Drawing to Painting: Poussin, Watteau, Fragonard, David, and Ingres. P. Rosenberg.
• A History of Building Types. N. Pevsner.
• Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill. H. Vendler.
• The Nude: A Study in Ideal Form. K. Clark.
• Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still. J. Golding.
• Pictures of Nothing: Abstract Art since Pollock. K. Varnedoe.
• The Roots of Romanticism. I. Berlin; H. Hardy, ed.
• Ten Thousand Things: Module and Mass Production in Chinese Art. L. Ledderose.
• The Use and Abuse of Art. J. Barzun.

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File created: 11/5/2009

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