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The A. W. Mellon Lectures in the Fine Arts
- Barzun, J. The Use and Abuse of Art.
- Berlin, I.; Hardy, H., ed. The Roots of Romanticism.
- Clark, K. The Nude: A Study in Ideal Form.
- Danto, A.C. After the End of Art: Contemporary Art and the Pale of History.
- Fried, M. The Moment of Caravaggio.
- Golding, J. Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still.
- Gombrich, E.H. Art and Illusion: A Study in the Psychology of Pictorial Representation.
- Ledderose, L. Ten Thousand Things: Module and Mass Production in Chinese Art.
- Herrin, J. Imago Dei: The Byzantine Apologia for Icons (New in Paper).
- Pevsner, N. A History of Building Types.
- Rosenberg, P. From Drawing to Painting: Poussin, Watteau, Fragonard, David, and Ingres.
- Powell, E., III. Pictures of Nothing: Abstract Art since Pollock.
- Vendler, H. Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill.
File created: 4/18/2012
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