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Abbot Suger on the Abbey Church of St. Denis and Its Art Treasures (Second Edition). A. Suger; E. Panofsky and G. Panofsky-Soergel, eds. and trans. The Aesthetics of Architecture. R. Scruton. The Aesthetics of the Greek Banquet:Images of Wine and Ritual. F. Lissarrague; A. Szegdy-Maszak, trans. After Art. D. Joselit. After the End of Art:Contemporary Art and the Pale of History. A.C. Danto. After the End of Art:Contemporary Art and the Pale of History. A.C. Danto. Albrecht Dürer and His Legacy:The Graphic Work of a Renaissance Artist. G. Bartrum. Allegory:The Theory of a Symbolic Mode. A. Fletcher. The Amazons:Lives and Legends of Warrior Women across the Ancient World. A. Mayor. Ambitious Form:Giambologna, Ammanati, and Danti in Florence. M. Cole. American Archives:Gender, Race, and Class in Visual Culture. S.M. Smith. American Moderns:Bohemian New York and the Creation of a New Century. C. Stansell. American Naive Paintings. D. Chotner. 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Silbergeld, D.C. Y. Ching, et al., eds. British Paintings of the Sixteenth through Nineteenth Centuries. J. Hayes. Buddhist Goddesses of India. M. Shaw. Changing Perspectives in Literature and the Visual Arts, 1650-1820. M. Roston. Christopher Wilmarth:Light and Gravity. S.H. Madoff. Cities and Cemeteries of Etruria. G. Dennis; P. Hemphill, ed. Civilizations of Ancient Iraq. B.R. Foster and K.P. Foster. The Clash of Gods:A Reinterpretation of Early Christian Art. T.F. Mathews. Classical Pasts:The Classical Traditions of Greece and Rome. J.I. Porter, ed. Clement Greenberg:A Critic's Collection. B. Guenther, et al.; K. Wilkin, ed. The Cloak of Dreams:Chinese Fairy Tales. B. Balázs and J. Zipes, et al., eds. and trans. The Collected Letters of William Morris, Volume I:1848-1880. W. Morris; N. Kelvin, ed. The Collected Letters of William Morris, Volume II, Part A:1881-1884. W. Morris; N. Kelvin, ed. The Collected Letters of William Morris, Volume II, Part B:1885-1888. W. Morris; N. Kelvin, ed. The Collected Letters of William Morris, Volume III:1889-1892. W. Morris; N. Kelvin, ed. The Collected Letters of William Morris, Volume IV:1893-1896. W. Morris; N. Kelvin, ed. Collecting: An Unruly Passion:Psychological Perspectives. W. Muensterberger. Collecting the New:Museums and Contemporary Art. B. Altshuler, ed. Colour:Why the World Isn't Grey. H. Rossotti. Commemorative Landscape Painting in China. A. Clapp. Complete Poems and Selected Letters of Michelangelo. Michelangelo; C. Gilbert, trans. Create Dangerously:The Immigrant Artist at Work. E. Danticat. Creating the Cult of St. Joseph:Art and Gender in the Spanish Empire. C. Villaseñor Black. Cubism, Stieglitz, and the Early Poetry of William Carlos Williams. B. Dijkstra. Cultural Exchange:Jews, Christians, and Art in the Medieval Marketplace. J. Shatzmiller. Daidalos and the Origins of Greek Art. S.P. Morris. The Dawn of the Color Photograph:Albert Kahn's Archives of the Planet. D. Okuefuna. Decorative Arts, Part II: Far Eastern Ceramics and Paintings; Persian and Indian Rugs and Carpets. V. Bower, J.H. Knapp, et al. The Dehumanization of Art and Other Essays on Art, Culture, and Literature. J. Ortega y Gasset. Desire and Excess:The Nineteenth-Century Culture of Art. J. Siegel. Discovering Child Art:Essays on Childhood, Primitivism, and Modernism. J. Fineberg, ed. A Documentary History of Art, Volume 1:The Middle Ages and the Renaissance. E.G. Holt. A Documentary History of Art, Volume 2:Michelangelo and the Mannerists, The Baroque and the Eighteenth Century. E.G. Holt. The Door in the Sky:Coomaraswamy on Myth and Meaning. A.K. Coomaraswamy; R.P. Coomaraswamy, ed. Down from Olympus:Archaeology and Philhellenism in Germany, 1750-1970. S. Marchand. Duchamp in Context:Science and Technology in the Large Glass and Related Works. L.Dalrymple Henderson. Early Netherlandish Painting. J.O. Hand and M. Wolff. Edgar Degas Sculpture. S. Lindsay, D.S. Barbour, et al. Edge of Empires:Pagans, Jews, and Christians at Roman Dura-Europos. J.Y. Chi and S. Heath, eds. Educating Scholars:Doctoral Education in the Humanities. R.G. Ehrenberg, H. Zuckerman, et al. Egypt, Canaan, and Israel in Ancient Times. D.B. Redford. Electric Salome:Loie Fuller's Performance of Modernism. R.K. Garelick. Emile Cohl, Caricature, and Film. D. Crafton. Enclaves of America:The Rhetoric of American Political Architecture Abroad, 1900-1965. R.T. Robin. The Encyclopedia of Ancient Egyptian Architecture. D. Arnold and D. Arnold and Entertaining America:Jews, Movies, and Broadcasting. J. Hoberman and J. Shandler. The Essays of Erich Neumann, Volume 1:Art and the Creative Unconscious. E. Neumann; R. Manheim, trans. The Essential Frank Lloyd Wright:Critical Writings on Architecture. F.L. Wright; B. Pfeiffer, ed. European Sculpture of the Nineteenth Century. R. Butler and S. Lindsay. The Family Model in Chinese Art and Culture. J. Silbergeld and D.C. Y. Ching, eds. 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Kilmer, V.M. Mecklenburg, et al.; L. McWhorter, ed. French Paintings of the Fifteenth through the Eighteenth Century. P. Conisbee; R. Rand, et al., eds. French Paintings of the Nineteenth Century, Part I: Before Impressionism. L. Eitner. The Frick Collection, An Illustrated Catalogue. Volume IX:Drawings, Prints, and Later Acquisitions. J. Focarino, ed. Crossing the Sea:Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu. G.P.A. Levine, A.M. Watsky, et al., eds. Fringe and Fortune:The Role of Critics in High and Popular Art. W.M. Shrum, Jr. From a Cause to a Style:Modernist Architecture's Encounter with the American City. N. Glazer. From Drawing to Painting:Poussin, Watteau, Fragonard, David, and Ingres. P. Rosenberg. Gauguin:Maker of Myth. B. Thomson, ed. A General Theory of Visual Culture. W. Davis. George Cruikshank:A Revaluation. R.L. Patten, ed. Georgia O'Keeffe and New Mexico:A Sense of Place. B.B. Lynes, L. Poling-Kempes, et al. Good and Plenty:The Creative Successes of American Arts Funding. T. Cowen. The Gothic Cathedral:Origins of Gothic Architecture and the Medieval Concept of Order. Expanded Edition. O.G. Von Simson. Greek Manuscripts at Princeton, Sixth to Nineteenth Century:A Descriptive Catalogue. S. Kotzabassi and N.P. Ševčenko and Greek Mythology in Byzantine Art. K. Weitzmann. Greek Sculpture in The Art Museum, Princeton University:Greek Originals, Roman Copies and Variants. B.S. Ridgway. Green:The History of a Color. M. Pastoureau. Hadrian and the City of Rome. M.T. Boatwright. Hans Holbein. O. Bätschmann and P. Griener. Here Be Dragons:A Fantastic Bestiary. A. Delacampagne and C. Delacampagne. High Gothic:The Classic Cathedrals of Chartres, Reims, Amiens. H. Jantzen; J. Palmes, trans. History as a Visual Art in the Twelfth-Century Renaissance. K.F. Morrison. A History of Building Types. N. Pevsner. A History of Heaven:The Singing Silence. J.B. Russell. Houses and Society in Pompeii and Herculaneum. A. Wallace-Hadrill. How Russia Shaped the Modern World:From Art to Anti-Semitism, Ballet to Bolshevism. S.G. Marks. The Iconography of the Sarcophagus of Junius Bassus:Neofitus Iit Ad Deum. E.S. Malbon. The Icons of Their Bodies:Saints and Their Images in Byzantium. H. Maguire. The Illuminated Books of William Blake, Volume 1:Jerusalem: The Emanation of the Giant Albion. W. Blake; M.D. Paley and D. Bindman, eds. The Illuminated Books of William Blake, Volume 2:Songs of Innocence and of Experience. W. Blake; A. Lincoln, ed. The Illuminated Books of William Blake, Volume 5:Milton, A Poem. W. Blake; R.N. Essick and J. Viscomi, eds. The Illuminated Books of William Blake, Volume 6:The Urizen Books. W. Blake; D. Worrall, ed. Image and Belief:Studies in Celebration of the Eightieth Anniversary of the Index of Christian Art. C. Hourihane, ed. Images and Ideas in Seventeenth-Century Spanish Painting. J. Brown. Images in Ivory:Precious Objects of the Gothic Age. P. Barnet, ed. Images in Mind:Statues in Archaic and Classical Greek Literature and Thought. D.T. Steiner. Imago Dei:The Byzantine Apologia for Icons. J. Pelikan. Insights and Interpretations:Studies in Celebration of the Eighty-fifth Anniversary of the Index of Christian Art. C. Hourihane, ed. Inventing Falsehood, Making Truth:Vico and Neapolitan Painting. M. Bull. Inventing Futurism:The Art and Politics of Artificial Optimism. C. Poggi. Italian Paintings of the Seventeenth and Eighteenth Centuries. D. De Grazia and E. Garberson. The Italian Renaissance:Culture and Society in Italy, 3rd Edition. P. Burke. Jacques Henri Lartigue:The Invention of an Artist. K. Moore. The Japanese Film:Art and Industry. (Expanded Edition). J.L. Anderson and D. Richie. John Singer Sargent. E. Kilmurray and R. Ormond, eds. Joseph Cornell and Astronomy:A Case for the Stars. K. Hoving. King David in the Index of Christian Art. C. Hourihane, ed. Kino:A History of the Russian and Soviet Film, With a New Postscript and a Filmography Brought up to the Present. J. Leyda. Kissing Architecture. S. Lavin. Kommos: An Excavation on the South Coast of Crete, Volume I:The Kommos Region and Houses of the Minoan Town. Part I: The Kommos Region, Ecology, and Minoan Industries. J.W. Shaw and M.C. Shaw, eds. Kommos V:The Monumental Minoan Buildings at Kommos. J.W. Shaw and M.C. Shaw, eds. Lars Jonsson's Birds:Paintings from a Near Horizon. L. Jonsson. Leonardo da Vinci:Experience, Experiment, and Design. M. Kemp. Lewis Carroll, Photographer:The Princeton University Library Albums. R. Taylor and E. Wakeling. The Life of Isamu Noguchi:Journey without Borders. M. Duus; P. Duus, trans. Lives of Indian Images. R.H. Davis. Living Pictures, Missing Persons:Mannequins, Museums, and Modernity. M.B. Sandberg. The Look of Russian Literature:Avant-Garde Visual Experiments, 1900-1930. G. Janecek. Louis Le Vau:Mazarin's Collège, Colbert's Revenge. H. Ballon. Lustmord:Sexual Murder in Weimar Germany. M. Tatar. Magnificent Buildings, Splendid Gardens. D.R. Coffin; V.B. Sellers, ed. Marketing Maximilian:The Visual Ideology of a Holy Roman Emperor. L. Silver. Marketing Modernism in Fin-de-Siècle Europe. R. Jensen. Mathematical Excursions to the World's Great Buildings. A. Hahn. Matisse and the Subject of Modernism. A. Wright. Meaning in Motion:The Semantics of Movement in Medieval Art. N. Zchomelidse and G. Freni, eds. Medieval and Renaissance Manuscripts in the Princeton University Library (Two-Volume Set). D.C. Skemer. The Melancholy Art. M. Holly. Michelangelo:A Life on Paper. L. Barkan. The Mind's Eye:Art and Theological Argument in the Middle Ages. J.F. Hamburger and A. Bouché, eds. Modern Architecture:Being the Kahn Lectures for 1930. F.L. Wright. Modern Architecture and Other Essays. V. Scully; N. Levine, ed. The Moment of Caravaggio. M. Fried. Montale, Debussy, and Modernism. G. Biasin. Mont-Saint-Michel and Chartres:A Study of Thirteenth-Century Unity. H. Adams. Morgantina Studies, Volume I:The Terracottas. M. Bell. Morgantina Studies, Volume III:Fornaci e Officine da Vasaio Tardo-ellenistiche. (In Italian) (Late Hellenistic Potters' Kilns and Workshops). N. Cuomo di Caprio. Morgantina Studies, Volume IV:The Protohistoric Settlement on the Cittadella. R. Leighton. Morgantina Studies, Volume VI:The Hellenistic and Roman Fine Pottery. S.C. Stone. The Most Arrogant Man in France:Gustave Courbet and the Nineteenth-Century Media Culture. P.t-D. Chu. Mudra:A Study of Symbolic Gestures in Japanese Buddhist Sculpture. E.D. Saunders. The Mustard Seed Garden Manual of Painting:A Facsimile of the 1887-1888 Shanghai Edition. M.J. Hiscox; M. Sze, ed. and trans. Mute Poetry, Speaking Pictures. L. Barkan. Myths and Symbols in Indian Art and Civilization. H.R. Zimmer; J. Campbell, ed. New York Nocturne:The City After Dark in Literature, Painting, and Photography, 1850-1950. W.C. Sharpe. Nomads and Networks:The Ancient Art and Culture of Kazakhstan. S. Stark, K. Rubinson, et al., eds. Northern Arts:The Breakthrough of Scandinavian Literature and Art, from Ibsen to Bergman. A. Weinstein. Nubia:Ancient Kingdoms of Africa. G. Emberling. The Nude:A Study in Ideal Form. K. Clark. Objects of Translation:Material Culture and Medieval "Hindu-Muslim" Encounter. F.B. Flood. Old Masters and Young Geniuses:The Two Life Cycles of Artistic Creativity. D.W. Galenson. On Beauty and Being Just. E. Scarry. Only a Promise of Happiness:The Place of Beauty in a World of Art. A. Nehamas. Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. R.B. Gordon. The Other Hogarth:Aesthetics of Difference. B. Fort and A. Rosenthal, eds. Painting in Florence and Siena after the Black Death. M. Meiss. The Painting of Modern Life:Paris in the Art of Manet and His Followers. T.J. Clark. The Paris Letters of Thomas Eakins. T. Eakins; W.I. Homer, ed. Paths to the Absolute:Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still. J. Golding. Patronizing the Arts. M. Garber. The Patron's Payoff:Conspicuous Commissions in Italian Renaissance Art. J.K. Nelson and R.J. Zeckhauser. The Philosopher, the Priest, and the Painter:A Portrait of Descartes. S. Nadler. Picasso:The Cubist Portraits of Fernande Olivier. J. Weiss. Picasso and Truth:From Cubism to Guernica. T.J. Clark. A Picasso Anthology:Documents, Criticism, Reminiscences. M. McCully, ed. Picture Perfect:Life in the Age of the Photo Op. K. Adatto. Pictures of Nothing:Abstract Art since Pollock. K. Varnedoe. Picturing the Celestial City:The Medieval Stained Glass of Beauvais Cathedral. M. Cothren. Poetry of the Revolution:Marx, Manifestos, and the Avant-Gardes. M. Puchner. Politics and Culture in Renaissance Naples. J.H. Bentley. Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art. C. Hourihane. Portrait of a Priestess:Women and Ritual in Ancient Greece. J.B. Connelly. The Posthuman Dada Guide:tzara and lenin play chess. A. Codrescu. Prague, Capital of the Twentieth Century:A Surrealist History. D. Sayer. Pre-Modernism:Art-World Change and American Culture from the Civil War to the Armory Show. J.M. Mancini. Preserving the Dharma:Hōzan Tankai and Japanese Buddhist Art of the Early Modern Era. J. Rosenfield. Princeton and the Gothic Revival:1870-1930. J. Seasonwein. Rackstraw Downes. S. Schwartz, R. Storr, et al. Religious Art from the Twelfth to the Eighteenth Century. E. Mâle; H. Bober, ed. Renaissance Medals, Volume One:Italy. J.G. Pollard. Renaissance Medals, Volume Two:France, Germany, The Netherlands, and England. J.G. Pollard. Renaissance Perspectives in Literature and the Visual Arts. M. Roston. The Robert Lehman Collection at the Metropolitan Museum of Art, Volume II:Fifteenth- to Eighteenth-Century European Paintings: France, Central Europe, The Netherlands, Spain, and Great Britain. C. Sterling, M.W. Ainsworth, et al., eds. The Robert Lehman Collection at the Metropolitan Museum of Art, Volume III:Nineteenth- and Twentieth-Century Paintings. R. Brettell, P.H. Tucker, et al. The Robert Lehman Collection at the Metropolitan Museum of Art, Volume IV:Illuminations. S. Hindman, M.L. D'Ancona, et al. The Robert Lehman Collection at the Metropolitan Museum of Art, Volume VII:Fifteenth- to Eighteenth-Century European Drawings: Central Europe, The Netherlands, France, England. E. Haverkamp-Begemann, M.T. Holmes, et al. The Robert Lehman Collection at the Metropolitan Museum of Art, Volume IX:Nineteenth- and Twentieth-Century European Drawings. R. Brettell, F. Forster-Hahn, et al. The Robert Lehman Collection at the Metropolitan Museum of Art, Volume XI:Glass (Egbert Haverkamp-Begemann, Coordinator). D.P. Lanmon and D.B. Whitehouse. The Robert Lehman Collection at The Metropolitan Museum of Art: Volume XII:European Sculpture and Metalwork. F. Scholten. The Robert Lehman Collection XIII: Frames. T. Newbery. The Robert Lehman Collection at the Metropolitan Museum of Art, Volume XIV:European Textiles. C.C.M. Thurman. The Robert Lehman Collection at The Metropolitan Museum of Art: Volume XV:Decorative Arts. W. Koeppe, C. Le Corbeiller, et al. Robert Maillart's Bridges:The Art of Engineering. D.P. Billington. Roman Eyes:Visuality and Subjectivity in Art and Text. J. Elsner. Roman Sculpture in The Art Museum, Princeton University. J.M. Padgett, ed. Rome:Profile of a City, 312-1308. R. Krautheimer. The Roots of Romanticism (Second Edition). I. Berlin; H. Hardy, et al., eds. Rural Scenes and National Representation:Britain, 1815-1850. E.K. Helsinger. Selected Writings on Aesthetics. J.G. Herder; G. Moore, ed. and trans. Shell Shock Cinema:Weimar Culture and the Wounds of War. A. Kaes. The Social Cinema of Jean Renoir. C. Faulkner. The Spaces of the Modern City:Imaginaries, Politics, and Everyday Life. G. Prakash and K.M. Kruse, eds. Spanish Paintings of the Fifteenth through Nineteenth Centuries. J. Brown and R.G. Mann. Standing Soldiers, Kneeling Slaves:Race, War, and Monument in Nineteenth-Century America. K. Savage. Stobi:Results of the Joint American-Yugoslav Archaeological Investigations, 1970-1981: Volume 1: The Hellenistic and Roman Pottery. V.R. Anderson-Stojanović; J. Wiseman, ed. A Story of Ruins:Presence and Absence in Chinese Art and Visual Culture. H. Wu. Story/Time:The Life of an Idea. B.T. Jones. Surrealism:Desire Unbound. J. Mundy and D. Ades, eds. The Survival of the Pagan Gods:The Mythological Tradition and Its Place in Renaissance Humanism and Art. J. Seznec; B.F. Sessions, trans. Take a Closer Look. D. Arasse; A. Waters, et al., trans. Talking Prices:Symbolic Meanings of Prices on the Market for Contemporary Art. O. Velthuis. The Tao of Architecture. A.I.T. Chang. The Taylorized Beauty of the Mechanical:Scientific Management and the Rise of Modernist Architecture. M.F. Guillén. Ten Thousand Things:Module and Mass Production in Chinese Art. L. Ledderose. Theory of Film:The Redemption of Physical Reality. S. Kracauer. The Theory of the Arts. F.E. Sparshott. The Topography of Thebes from the Bronze Age to Modern Times. S. Symeonoglou. The Tower and the Bridge:The New Art of Structural Engineering. D.P. Billington. The Transatlantic Indian, 1776-1930. K. Flint. Transformations in Late Eighteenth-Century Art. R. Rosenblum. Twelve Views of Manet's Bar. B. Collins, ed. Under Crescent and Cross:The Jews in the Middle Ages. M.R. Cohen. The Unfeathered Bird. K. van Grouw. The Use and Abuse of Art. J. Barzun. Vermeer:Faith in Painting. D. Arasse; T. Grabar, trans. Vermeer and His Milieu:A Web of Social History. J.M. Montias. Victor Regnault and the Advance of Photography:The Art of Avoiding Errors. L. Dahlberg. Viewpoints:Mathematical Perspective and Fractal Geometry in Art. M. Frantz and A. Crannell. Virtue and Beauty:Leonardo’s Ginevra de’ Benci and Renaissance Portraits of Women. D.A. Brown, ed. Virtue and Vice:The Personifications in the Index of Christian Art. C. Hourihane, ed. The Visual Arts, Pictorialism, and the Novel:James, Lawrence, and Woolf. M. Torgovnick. The Voices of Silence:Man and his Art. (Abridged from The Psychology of Art). A. Malraux; S. Gilbert, trans. The Warhol Economy:How Fashion, Art, and Music Drive New York City. E. Currid. Wartime Kiss:Visions of the Moment in the 1940s. A. Nemerov. Weimar Germany:Promise and Tragedy. E.D. Weitz. Weimar Germany:Promise and Tragedy. E.D. Weitz. Weiwei-isms. W. Ai; L. Warsh, ed. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles Including Metalwork, Enamels, and Ceramics. R. Distelberger, A. Luchs, et al. Who Owns Antiquity?Museums and the Battle over Our Ancient Heritage. J. Cuno. Whose Culture?The Promise of Museums and the Debate over Antiquities. J. Cuno, ed. Whose Muse?Art Museums and the Public Trust. J. Cuno, ed. Why a Painting Is Like a Pizza:A Guide to Understanding and Enjoying Modern Art. N.G. Heller. William Blake:The Creation of the Songs From Manuscript to Illuminated Printing. M. Phillips. Words of Light:Theses on the Photography of History. E. Cadava.
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