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Sharpe. Nomads and Networks:The Ancient Art and Culture of Kazakhstan. S. Stark, K. Rubinson, et al., eds. Northern Arts:The Breakthrough of Scandinavian Literature and Art, from Ibsen to Bergman. A. Weinstein. Nubia:Ancient Kingdoms of Africa. G. Emberling. The Nude:A Study in Ideal Form. K. Clark. Objects of Translation:Material Culture and Medieval "Hindu-Muslim" Encounter. F.B. Flood. Old Masters and Young Geniuses:The Two Life Cycles of Artistic Creativity. D.W. Galenson. On Beauty and Being Just. E. Scarry. Only a Promise of Happiness:The Place of Beauty in a World of Art. A. Nehamas. Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. R.B. Gordon. The Other Hogarth:Aesthetics of Difference. B. Fort and A. Rosenthal, eds. Painting in Florence and Siena after the Black Death. M. Meiss. The Painting of Modern Life:Paris in the Art of Manet and His Followers. T.J. Clark. The Paris Letters of Thomas Eakins. T. Eakins; W.I. Homer, ed. Paths to the Absolute:Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still. J. Golding. Patronizing the Arts. M. Garber. The Patron's Payoff:Conspicuous Commissions in Italian Renaissance Art. J.K. Nelson and R.J. Zeckhauser. The Philosopher, the Priest, and the Painter:A Portrait of Descartes. S. Nadler. Picasso:The Cubist Portraits of Fernande Olivier. J. Weiss. Picasso and Truth:From Cubism to Guernica. T.J. Clark. A Picasso Anthology:Documents, Criticism, Reminiscences. M. McCully, ed. Picture Perfect:Life in the Age of the Photo Op. K. Adatto. Pictures of Nothing:Abstract Art since Pollock. K. Varnedoe. Picturing the Celestial City:The Medieval Stained Glass of Beauvais Cathedral. M. Cothren. Poetry of the Revolution:Marx, Manifestos, and the Avant-Gardes. M. Puchner. Politics and Culture in Renaissance Naples. J.H. Bentley. Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art. C. Hourihane. Portrait of a Priestess:Women and Ritual in Ancient Greece. J.B. Connelly. The Posthuman Dada Guide:tzara and lenin play chess. A. Codrescu. Prague, Capital of the Twentieth Century:A Surrealist History. D. Sayer. Pre-Modernism:Art-World Change and American Culture from the Civil War to the Armory Show. J.M. Mancini. Preserving the Dharma:Hōzan Tankai and Japanese Buddhist Art of the Early Modern Era. J. Rosenfield. Princeton and the Gothic Revival:1870-1930. J. Seasonwein. Rackstraw Downes. S. Schwartz, R. Storr, et al. Religious Art from the Twelfth to the Eighteenth Century. E. Mâle; H. Bober, ed. Renaissance Medals, Volume One:Italy. J.G. Pollard. Renaissance Medals, Volume Two:France, Germany, The Netherlands, and England. J.G. Pollard. Renaissance Perspectives in Literature and the Visual Arts. M. Roston. The Robert Lehman Collection at the Metropolitan Museum of Art, Volume II:Fifteenth- to Eighteenth-Century European Paintings: France, Central Europe, The Netherlands, Spain, and Great Britain. C. Sterling, M.W. Ainsworth, et al., eds. 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The Robert Lehman Collection at the Metropolitan Museum of Art, Volume XIV:European Textiles. C.C.M. Thurman. The Robert Lehman Collection at The Metropolitan Museum of Art: Volume XV:Decorative Arts. W. Koeppe, C. Le Corbeiller, et al. Robert Maillart's Bridges:The Art of Engineering. D.P. Billington. Roman Eyes:Visuality and Subjectivity in Art and Text. J. Elsner. Roman Sculpture in The Art Museum, Princeton University. J.M. Padgett, ed. Rome:Profile of a City, 312-1308. R. Krautheimer. The Roots of Romanticism (Second Edition). I. Berlin; H. Hardy, et al., eds. Rural Scenes and National Representation:Britain, 1815-1850. E.K. Helsinger. Selected Writings on Aesthetics. J.G. Herder; G. Moore, ed. and trans. Shell Shock Cinema:Weimar Culture and the Wounds of War. A. Kaes. The Social Cinema of Jean Renoir. C. Faulkner. The Spaces of the Modern City:Imaginaries, Politics, and Everyday Life. G. Prakash and K.M. Kruse, eds. Spanish Paintings of the Fifteenth through Nineteenth Centuries. J. Brown and R.G. Mann. Standing Soldiers, Kneeling Slaves:Race, War, and Monument in Nineteenth-Century America. K. Savage. Stobi:Results of the Joint American-Yugoslav Archaeological Investigations, 1970-1981: Volume 1: The Hellenistic and Roman Pottery. V.R. Anderson-Stojanović; J. Wiseman, ed. A Story of Ruins:Presence and Absence in Chinese Art and Visual Culture. H. Wu. Story/Time:The Life of an Idea. B.T. Jones. Surrealism:Desire Unbound. J. Mundy and D. Ades, eds. The Survival of the Pagan Gods:The Mythological Tradition and Its Place in Renaissance Humanism and Art. J. Seznec; B.F. Sessions, trans. Take a Closer Look. D. Arasse; A. Waters, et al., trans. Talking Prices:Symbolic Meanings of Prices on the Market for Contemporary Art. O. Velthuis. The Tao of Architecture. A.I.T. Chang. The Taylorized Beauty of the Mechanical:Scientific Management and the Rise of Modernist Architecture. M.F. Guillén. Ten Thousand Things:Module and Mass Production in Chinese Art. L. Ledderose. Theory of Film:The Redemption of Physical Reality. S. Kracauer. The Theory of the Arts. F.E. Sparshott. The Topography of Thebes from the Bronze Age to Modern Times. S. Symeonoglou. The Tower and the Bridge:The New Art of Structural Engineering. D.P. Billington. The Transatlantic Indian, 1776-1930. K. Flint. Transformations in Late Eighteenth-Century Art. R. Rosenblum. Twelve Views of Manet's Bar. B. Collins, ed. Under Crescent and Cross:The Jews in the Middle Ages. M.R. Cohen. The Unfeathered Bird. K. van Grouw. The Use and Abuse of Art. J. Barzun. Vermeer:Faith in Painting. D. Arasse; T. Grabar, trans. Vermeer and His Milieu:A Web of Social History. J.M. Montias. Victor Regnault and the Advance of Photography:The Art of Avoiding Errors. L. Dahlberg. Viewpoints:Mathematical Perspective and Fractal Geometry in Art. M. Frantz and A. Crannell. Virtue and Beauty:Leonardo’s Ginevra de’ Benci and Renaissance Portraits of Women. D.A. Brown, ed. Virtue and Vice:The Personifications in the Index of Christian Art. C. Hourihane, ed. The Visual Arts, Pictorialism, and the Novel:James, Lawrence, and Woolf. M. Torgovnick. The Voices of Silence:Man and his Art. (Abridged from The Psychology of Art). A. Malraux; S. Gilbert, trans. The Warhol Economy:How Fashion, Art, and Music Drive New York City. E. Currid. Wartime Kiss:Visions of the Moment in the 1940s. A. Nemerov. Weimar Germany:Promise and Tragedy. E.D. Weitz. Weimar Germany:Promise and Tragedy. E.D. Weitz. Weiwei-isms. W. Ai; L. Warsh, ed. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles Including Metalwork, Enamels, and Ceramics. R. Distelberger, A. Luchs, et al. Who Owns Antiquity?Museums and the Battle over Our Ancient Heritage. J. Cuno. Whose Culture?The Promise of Museums and the Debate over Antiquities. J. Cuno, ed. Whose Muse?Art Museums and the Public Trust. J. Cuno, ed. Why a Painting Is Like a Pizza:A Guide to Understanding and Enjoying Modern Art. N.G. Heller. William Blake:The Creation of the Songs From Manuscript to Illuminated Printing. M. Phillips. Words of Light:Theses on the Photography of History. E. Cadava.
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