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BROWSE PRINCETON'S SUBJECT CATEGORY (by title) in Film Studies

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bookjacketAn Accented Cinema:
Exilic and Diasporic Filmmaking.
H. Naficy.

blankjacketThe Address of the Eye:
A Phenomenology of Film Experience.
V. Sobchack.

blankjacketThe Art of Taking a Walk:
Flanerie, Literature, and Film in Weimar Culture.
A. Gleber.

bookjacketArtists in the Audience:
Cults, Camp, and American Film Criticism.
G. Taylor.

bookjacketBlack, White, and in Color:
Television and Black Civil Rights.
S. Torres.

bookjacketBlackout:
Reinventing Women for Wartime British Cinema.
A.C. Lant.

bookjacketBody in Question:
Image and Illusion in Two Chinese Films by Director Jiang Wen.
J. Silbergeld.

bookjacketThe Body in the Mirror:
Shapes of History in Italian Cinema.
A. Dalle Vacche.

blankjacketBreaking the Glass Armor.
K. Thompson.

bookjacketBritish Genres:
Cinema and Society, 1930-1960.
M. Landy.

bookjacketA Certain Tendency of the Hollywood Cinema, 1930-1980.
R.B. Ray.

blankjacketChaplin and American Culture:
The Evolution of a Star Image.
C.J. Maland.

blankjacketThe Cinema of Federico Fellini.
P. Bondanella.

bookjacketCinematernity:
Film, Motherhood, Genre.
L. Fischer.

blankjacketClose Up 1927-1933:
Cinema and Modernism.
J. Donald, A. Friedberg, et al., eds.

bookjacketThe Corporeal Image:
Film, Ethnography, and the Senses.
D. MacDougall.

blankjacketCreating the Couple:
Love, Marriage, and Hollywood Performance.
V.W. Wexman.

bookjacketDivine Decadence:
Fascism, Female Spectacle, and the Makings of Sally Bowles.
L. Mizejewski.

bookjacketEmile Cohl, Caricature, and Film.
D. Crafton.

bookjacketEntertaining America:
Jews, Movies, and Broadcasting.
J. Hoberman and J. Shandler.

blankjacketFascism in Film:
The Italian Commercial Cinema, 1931-1943.
M. Landy.

bookjacketFilm Essays and a Lecture.
S. Eisenstein; J. Leyda, ed.

blankjacketThe Films of Carlos Saura:
The Practice of Seeing.
M. D'Lugo.

bookjacketThe Films of Theo Angelopoulos:
A Cinema of Contemplation.
A. Horton.

blankjacketForms:
Whole, Rhythm, Hierarchy, Network.
C. Levine.

blankjacketFrench Film Theory and Criticism:
A History/Anthology, 1907-1939. Volume 1: 1907-1929.
R. Abel.

blankjacketFrench Film Theory and Criticism:
A History/Anthology, 1907-1939. Volume 2: 1929-1939.
R. Abel.

bookjacketFrom Caligari to Hitler:
A Psychological History of the German Film.
S. Kracauer; L. Quaresima, ed.

bookjacketThe Gaze and the Labyrinth:
The Cinema of Liliana Cavani.
G. Marrone.

bookjacketGendering War Talk.
M.G. Cooke and A. Woollacott, eds.

bookjacketThe History of Italian Cinema:
A Guide to Italian Film from Its Origins to the Twenty-First Century.
G. Brunetta; J. Parzen, et al., trans.

bookjacketThe Hitchcock Romance:
Love and Irony in Hitchcock's Films.
L. Brill.

bookjacketHollywood Fantasies of Miscegenation:
Spectacular Narratives of Gender and Race.
S. Courtney.

bookjacketHollywood Highbrow:
From Entertainment to Art.
S. Baumann.

bookjacketIncorporating Images:
Film and the Rival Arts.
B. Peucker.

blankjacketInterpreting Films:
Studies in the Historical Reception of American Cinema.
J. Staiger.

blankjacketItalian Film in the Light of Neorealism.
M. Marcus.

bookjacketThe Japanese Film:
Art and Industry. (Expanded Edition).
J.L. Anderson and D. Richie.

bookjacketThe Japanese Theatre:
From Shamanistic Ritual to Contemporary Pluralism.
B. Ortolani.

blankjacketJoyless Streets:
Women and Melodramatic Representation in Weimar Germany.
P. Petro.

bookjacketKino:
A History of the Russian and Soviet Film, With a New Postscript and a Filmography Brought up to the Present.
J. Leyda.

bookjacketLandscapes of Loss:
The National Past in Postwar French Cinema.
N. Greene.

bookjacketLiving Pictures, Missing Persons:
Mannequins, Museums, and Modernity.
M.B. Sandberg.

bookjacketMappings:
Feminism and the Cultural Geographies of Encounter.
S.S. Friedman.

bookjacketMen, Women, and Chain Saws:
Gender in Modern Horror Film.
C.J. Clover.

bookjacketMists of Regret:
Culture and Sensibility in Classic French Film.
D. Andrew.

bookjacketModernism, Media, and Propaganda:
British Narrative from 1900 to 1945.
M. Wollaeger.

bookjacketMovie-Struck Girls:
Women and Motion Picture Culture after the Nickelodeon.
S. Stamp.

bookjacketMumbai Fables.
G. Prakash.

bookjacketNational Imaginaries, American Identities:
The Cultural Work of American Iconography.
L.J. Reynolds and G. Hutner, eds.

bookjacketNoir Urbanisms:
Dystopic Images of the Modern City.
G. Prakash, ed.

bookjacketOn Hollywood:
The Place, The Industry.
A.J. Scott.

blankjacketPassions and Deceptions:
The Early Films of Ernst Lubitsch.
S. Hake.

bookjacketPlaying the Race Card:
Melodramas of Black and White from Uncle Tom to O. J. Simpson.
L. Williams.

bookjacketPolitics of the Self:
Feminism and the Postmodern in West German Literature and Film.
R.W. McCormick.

bookjacketProducing Public Television, Producing Public Culture.
B. Dornfeld.

bookjacketReframing Culture:
The Case of the Vitagraph Quality Films.
W. Uricchio and R.E. Pearson.

bookjacketRevisioning History:
Film and the Construction of a New Past.
R.A. Rosenstone, ed.

bookjacketRichard Wagner, Fritz Lang, and the Nibelungen:
The Dramaturgy of Disavowal.
D.J. Levin.

bookjacketScreen/Play:
Derrida and Film Theory.
P. Brunette and D. Wills.

bookjacketShell Shock Cinema:
Weimar Culture and the Wounds of War.
A. Kaes.

bookjacketShot/Countershot:
Film Tradition and Women's Cinema.
L. Fischer.

bookjacketSiegfried Kracauer:
An Introduction.
G. Koch; J. Gaines, trans.

bookjacketThe Social Cinema of Jean Renoir.
C. Faulkner.

blankjacketStreetwalking on a Ruined Map:
Cultural Theory and the City Films of Elvira Notari.
G. Bruno.

bookjacketThe Theater and Cinema of Buster Keaton.
R. Knopf.

bookjacketTheory of Film:
The Redemption of Physical Reality.
S. Kracauer.

bookjacketTheory of Film Practice.
N. Burch; H.R. Lane, trans.

blankjacketTo Free the Cinema:
Jonas Mekas and the New York Underground.
D.E. James, ed.

bookjacketTranscultural Cinema.
D. MacDougall; L. Taylor, ed.

bookjacketVocal Apparitions:
The Attraction of Cinema to Opera.
M. Grover-Friedlander.

bookjacketThe Warrior's Camera:
The Cinema of Akira Kurosawa.
S. Prince.

bookjacketWartime Kiss:
Visions of the Moment in the 1940s.
A. Nemerov.

bookjacketWords of Light:
Theses on the Photography of History.
E. Cadava.

bookjacketWorking-Class Hollywood:
Silent Film and the Shaping of Class in America.
S.J. Ross.

blankjacketThe Zero Hour:
Glasnost and Soviet Cinema in Transition.
A. Horton and M. Brashinsky.

File created: 7/11/2014

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