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Abel, R.French Film Theory and Criticism:A History/Anthology, 1907-1939. Volume 1: 1907-1929. Abel, R.French Film Theory and Criticism:A History/Anthology, 1907-1939. Volume 2: 1929-1939. Anderson, J.L. and Richie, D.The Japanese Film:Art and Industry. (Expanded Edition). Andrew, D.Mists of Regret:Culture and Sensibility in Classic French Film. Baumann, S.Hollywood Highbrow:From Entertainment to Art. Bondanella, P.The Cinema of Federico Fellini. Brashinsky, M. and Horton, A.The Zero Hour:Glasnost and Soviet Cinema in Transition. Brill, L.The Hitchcock Romance:Love and Irony in Hitchcock's Films. Brunetta, G.; Parzen, J., trans.The History of Italian Cinema:A Guide to Italian Film from Its Origins to the Twenty-First Century. Brunette, P. and Wills, D.Screen/Play:Derrida and Film Theory. Bruno, G.Streetwalking on a Ruined Map:Cultural Theory and the City Films of Elvira Notari. Burch, N.; Lane, H.R., trans.Theory of Film Practice. Cadava, E.Words of Light:Theses on the Photography of History. Clover, C.J.Men, Women, and Chain Saws:Gender in Modern Horror Film. Cooke, M.G. and Woollacott, A., eds.Gendering War Talk. Courtney, S.Hollywood Fantasies of Miscegenation:Spectacular Narratives of Gender and Race. Crafton, D.Emile Cohl, Caricature, and Film. Dalle Vacche, A.The Body in the Mirror:Shapes of History in Italian Cinema. D'Lugo, M.The Films of Carlos Saura:The Practice of Seeing. Donald, J., Friedberg, A. and Marcus, L., eds.Close Up 1927-1933:Cinema and Modernism. Dornfeld, B.Producing Public Television, Producing Public Culture. Eisenstein, S.; Leyda, J., ed.Film Essays and a Lecture. Faulkner, C.The Social Cinema of Jean Renoir. Fischer, L.Cinematernity:Film, Motherhood, Genre. Fischer, L.Shot/Countershot:Film Tradition and Women's Cinema. Friedberg, A., Donald, J. and Marcus, L., eds.Close Up 1927-1933:Cinema and Modernism. Friedman, S.S.Mappings:Feminism and the Cultural Geographies of Encounter. Gleber, A.The Art of Taking a Walk:Flanerie, Literature, and Film in Weimar Culture. Greene, N.Landscapes of Loss:The National Past in Postwar French Cinema. Grover-Friedlander, M.Vocal Apparitions:The Attraction of Cinema to Opera. Hake, S.Passions and Deceptions:The Early Films of Ernst Lubitsch. Hoberman, J. and Shandler, J.Entertaining America:Jews, Movies, and Broadcasting. Horton, A.The Films of Theo Angelopoulos:A Cinema of Contemplation. Horton, A. and Brashinsky, M.The Zero Hour:Glasnost and Soviet Cinema in Transition. Hutner, G. and Reynolds, L.J., eds.National Imaginaries, American Identities:The Cultural Work of American Iconography. James, D.E., ed.To Free the Cinema:Jonas Mekas and the New York Underground. Kaes, A.Shell Shock Cinema:Weimar Culture and the Wounds of War. Knopf, R.The Theater and Cinema of Buster Keaton. Koch, G.; Gaines, J., trans.Siegfried Kracauer:An Introduction. Kracauer, S.; Quaresima, L., ed.From Caligari to Hitler:A Psychological History of the German Film. Kracauer, S.Theory of Film:The Redemption of Physical Reality. Landy, M.British Genres:Cinema and Society, 1930-1960. Landy, M.Fascism in Film:The Italian Commercial Cinema, 1931-1943. Lant, A.C.Blackout:Reinventing Women for Wartime British Cinema. Levin, D.J.Richard Wagner, Fritz Lang, and the Nibelungen:The Dramaturgy of Disavowal. Levine, C.Forms:Whole, Rhythm, Hierarchy, Network. Leyda, J.Kino:A History of the Russian and Soviet Film, With a New Postscript and a Filmography Brought up to the Present. MacDougall, D.The Corporeal Image:Film, Ethnography, and the Senses. MacDougall, D.; Taylor, L., ed.Transcultural Cinema. Maland, C.J.Chaplin and American Culture:The Evolution of a Star Image. Marcus, L., Donald, J. and Friedberg, A., eds.Close Up 1927-1933:Cinema and Modernism. Marcus, M.Italian Film in the Light of Neorealism. Marrone, G.The Gaze and the Labyrinth:The Cinema of Liliana Cavani. McCormick, R.W.Politics of the Self:Feminism and the Postmodern in West German Literature and Film. Mizejewski, L.Divine Decadence:Fascism, Female Spectacle, and the Makings of Sally Bowles. Naficy, H.An Accented Cinema:Exilic and Diasporic Filmmaking. Nemerov, A.Wartime Kiss:Visions of the Moment in the 1940s. Ortolani, B.The Japanese Theatre:From Shamanistic Ritual to Contemporary Pluralism. Pearson, R.E. and Uricchio, W.Reframing Culture:The Case of the Vitagraph Quality Films. Petro, P.Joyless Streets:Women and Melodramatic Representation in Weimar Germany. Peucker, B.Incorporating Images:Film and the Rival Arts. Prakash, G.Mumbai Fables. Prakash, G., ed.Noir Urbanisms:Dystopic Images of the Modern City. Prince, S.The Warrior's Camera:The Cinema of Akira Kurosawa. Ray, R.B.A Certain Tendency of the Hollywood Cinema, 1930-1980. Reynolds, L.J. and Hutner, G., eds.National Imaginaries, American Identities:The Cultural Work of American Iconography. Richie, D. and Anderson, J.L.The Japanese Film:Art and Industry. (Expanded Edition). Rosenstone, R.A., ed.Revisioning History:Film and the Construction of a New Past. Ross, S.J.Working-Class Hollywood:Silent Film and the Shaping of Class in America. Sandberg, M.B.Living Pictures, Missing Persons:Mannequins, Museums, and Modernity. Scott, A.J.On Hollywood:The Place, The Industry. Shandler, J. and Hoberman, J.Entertaining America:Jews, Movies, and Broadcasting. Silbergeld, J.Body in Question:Image and Illusion in Two Chinese Films by Director Jiang Wen. Sobchack, V.The Address of the Eye:A Phenomenology of Film Experience. Staiger, J.Interpreting Films:Studies in the Historical Reception of American Cinema. Stamp, S.Movie-Struck Girls:Women and Motion Picture Culture after the Nickelodeon. Taylor, G.Artists in the Audience:Cults, Camp, and American Film Criticism. Thompson, K.Breaking the Glass Armor. Torres, S.Black, White, and in Color:Television and Black Civil Rights. Uricchio, W. and Pearson, R.E.Reframing Culture:The Case of the Vitagraph Quality Films. Wexman, V.W.Creating the Couple:Love, Marriage, and Hollywood Performance. Williams, L.Playing the Race Card:Melodramas of Black and White from Uncle Tom to O. J. Simpson. Wills, D. and Brunette, P.Screen/Play:Derrida and Film Theory. Wollaeger, M.Modernism, Media, and Propaganda:British Narrative from 1900 to 1945. Woollacott, A. and Cooke, M.G., eds.Gendering War Talk.
File created: 7/11/2014
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