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BROWSE PRINCETON'S SUBJECT CATEGORY (by author) in Film Studies

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blankjacketAbel, R.
French Film Theory and Criticism:
A History/Anthology, 1907-1939. Volume 1: 1907-1929.

blankjacketAbel, R.
French Film Theory and Criticism:
A History/Anthology, 1907-1939. Volume 2: 1929-1939.

bookjacketAnderson, J.L. and Richie, D.
The Japanese Film:
Art and Industry. (Expanded Edition).

bookjacketAndrew, D.
Mists of Regret:
Culture and Sensibility in Classic French Film.

bookjacketBaumann, S.
Hollywood Highbrow:
From Entertainment to Art.

blankjacketBondanella, P.
The Cinema of Federico Fellini.

blankjacketBrashinsky, M. and Horton, A.
The Zero Hour:
Glasnost and Soviet Cinema in Transition.

bookjacketBrill, L.
The Hitchcock Romance:
Love and Irony in Hitchcock's Films.

bookjacketBrunetta, G.; Parzen, J., trans.
The History of Italian Cinema:
A Guide to Italian Film from Its Origins to the Twenty-First Century.

bookjacketBrunette, P. and Wills, D.
Screen/Play:
Derrida and Film Theory.

blankjacketBruno, G.
Streetwalking on a Ruined Map:
Cultural Theory and the City Films of Elvira Notari.

bookjacketBurch, N.; Lane, H.R., trans.
Theory of Film Practice.

bookjacketCadava, E.
Words of Light:
Theses on the Photography of History.

bookjacketClover, C.J.
Men, Women, and Chain Saws:
Gender in Modern Horror Film.

bookjacketCooke, M.G. and Woollacott, A., eds.
Gendering War Talk.

bookjacketCourtney, S.
Hollywood Fantasies of Miscegenation:
Spectacular Narratives of Gender and Race.

bookjacketCrafton, D.
Emile Cohl, Caricature, and Film.

bookjacketDalle Vacche, A.
The Body in the Mirror:
Shapes of History in Italian Cinema.

blankjacketD'Lugo, M.
The Films of Carlos Saura:
The Practice of Seeing.

blankjacketDonald, J., Friedberg, A. and Marcus, L., eds.
Close Up 1927-1933:
Cinema and Modernism.

bookjacketDornfeld, B.
Producing Public Television, Producing Public Culture.

bookjacketEisenstein, S.; Leyda, J., ed.
Film Essays and a Lecture.

bookjacketFaulkner, C.
The Social Cinema of Jean Renoir.

bookjacketFischer, L.
Cinematernity:
Film, Motherhood, Genre.

bookjacketFischer, L.
Shot/Countershot:
Film Tradition and Women's Cinema.

blankjacketFriedberg, A., Donald, J. and Marcus, L., eds.
Close Up 1927-1933:
Cinema and Modernism.

bookjacketFriedman, S.S.
Mappings:
Feminism and the Cultural Geographies of Encounter.

blankjacketGleber, A.
The Art of Taking a Walk:
Flanerie, Literature, and Film in Weimar Culture.

bookjacketGreene, N.
Landscapes of Loss:
The National Past in Postwar French Cinema.

bookjacketGrover-Friedlander, M.
Vocal Apparitions:
The Attraction of Cinema to Opera.

blankjacketHake, S.
Passions and Deceptions:
The Early Films of Ernst Lubitsch.

bookjacketHoberman, J. and Shandler, J.
Entertaining America:
Jews, Movies, and Broadcasting.

bookjacketHorton, A.
The Films of Theo Angelopoulos:
A Cinema of Contemplation.

blankjacketHorton, A. and Brashinsky, M.
The Zero Hour:
Glasnost and Soviet Cinema in Transition.

bookjacketHutner, G. and Reynolds, L.J., eds.
National Imaginaries, American Identities:
The Cultural Work of American Iconography.

blankjacketJames, D.E., ed.
To Free the Cinema:
Jonas Mekas and the New York Underground.

bookjacketKaes, A.
Shell Shock Cinema:
Weimar Culture and the Wounds of War.

bookjacketKnopf, R.
The Theater and Cinema of Buster Keaton.

bookjacketKoch, G.; Gaines, J., trans.
Siegfried Kracauer:
An Introduction.

bookjacketKracauer, S.; Quaresima, L., ed.
From Caligari to Hitler:
A Psychological History of the German Film.

bookjacketKracauer, S.
Theory of Film:
The Redemption of Physical Reality.

bookjacketLandy, M.
British Genres:
Cinema and Society, 1930-1960.

blankjacketLandy, M.
Fascism in Film:
The Italian Commercial Cinema, 1931-1943.

bookjacketLant, A.C.
Blackout:
Reinventing Women for Wartime British Cinema.

bookjacketLevin, D.J.
Richard Wagner, Fritz Lang, and the Nibelungen:
The Dramaturgy of Disavowal.

blankjacketLevine, C.
Forms:
Whole, Rhythm, Hierarchy, Network.

bookjacketLeyda, J.
Kino:
A History of the Russian and Soviet Film, With a New Postscript and a Filmography Brought up to the Present.

bookjacketMacDougall, D.
The Corporeal Image:
Film, Ethnography, and the Senses.

bookjacketMacDougall, D.; Taylor, L., ed.
Transcultural Cinema.

blankjacketMaland, C.J.
Chaplin and American Culture:
The Evolution of a Star Image.

blankjacketMarcus, L., Donald, J. and Friedberg, A., eds.
Close Up 1927-1933:
Cinema and Modernism.

blankjacketMarcus, M.
Italian Film in the Light of Neorealism.

bookjacketMarrone, G.
The Gaze and the Labyrinth:
The Cinema of Liliana Cavani.

bookjacketMcCormick, R.W.
Politics of the Self:
Feminism and the Postmodern in West German Literature and Film.

bookjacketMizejewski, L.
Divine Decadence:
Fascism, Female Spectacle, and the Makings of Sally Bowles.

bookjacketNaficy, H.
An Accented Cinema:
Exilic and Diasporic Filmmaking.

bookjacketNemerov, A.
Wartime Kiss:
Visions of the Moment in the 1940s.

bookjacketOrtolani, B.
The Japanese Theatre:
From Shamanistic Ritual to Contemporary Pluralism.

bookjacketPearson, R.E. and Uricchio, W.
Reframing Culture:
The Case of the Vitagraph Quality Films.

blankjacketPetro, P.
Joyless Streets:
Women and Melodramatic Representation in Weimar Germany.

bookjacketPeucker, B.
Incorporating Images:
Film and the Rival Arts.

bookjacketPrakash, G.
Mumbai Fables.

bookjacketPrakash, G., ed.
Noir Urbanisms:
Dystopic Images of the Modern City.

bookjacketPrince, S.
The Warrior's Camera:
The Cinema of Akira Kurosawa.

bookjacketRay, R.B.
A Certain Tendency of the Hollywood Cinema, 1930-1980.

bookjacketReynolds, L.J. and Hutner, G., eds.
National Imaginaries, American Identities:
The Cultural Work of American Iconography.

bookjacketRichie, D. and Anderson, J.L.
The Japanese Film:
Art and Industry. (Expanded Edition).

bookjacketRosenstone, R.A., ed.
Revisioning History:
Film and the Construction of a New Past.

bookjacketRoss, S.J.
Working-Class Hollywood:
Silent Film and the Shaping of Class in America.

bookjacketSandberg, M.B.
Living Pictures, Missing Persons:
Mannequins, Museums, and Modernity.

bookjacketScott, A.J.
On Hollywood:
The Place, The Industry.

bookjacketShandler, J. and Hoberman, J.
Entertaining America:
Jews, Movies, and Broadcasting.

bookjacketSilbergeld, J.
Body in Question:
Image and Illusion in Two Chinese Films by Director Jiang Wen.

blankjacketSobchack, V.
The Address of the Eye:
A Phenomenology of Film Experience.

blankjacketStaiger, J.
Interpreting Films:
Studies in the Historical Reception of American Cinema.

bookjacketStamp, S.
Movie-Struck Girls:
Women and Motion Picture Culture after the Nickelodeon.

bookjacketTaylor, G.
Artists in the Audience:
Cults, Camp, and American Film Criticism.

blankjacketThompson, K.
Breaking the Glass Armor.

bookjacketTorres, S.
Black, White, and in Color:
Television and Black Civil Rights.

bookjacketUricchio, W. and Pearson, R.E.
Reframing Culture:
The Case of the Vitagraph Quality Films.

blankjacketWexman, V.W.
Creating the Couple:
Love, Marriage, and Hollywood Performance.

bookjacketWilliams, L.
Playing the Race Card:
Melodramas of Black and White from Uncle Tom to O. J. Simpson.

bookjacketWills, D. and Brunette, P.
Screen/Play:
Derrida and Film Theory.

bookjacketWollaeger, M.
Modernism, Media, and Propaganda:
British Narrative from 1900 to 1945.

bookjacketWoollacott, A. and Cooke, M.G., eds.
Gendering War Talk.

File created: 7/11/2014

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