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Aaron Copland and His World. C. Oja and J. Tick, eds. Alban Berg and His World. C. Hailey, ed. The American Musical and the Formation of National Identity. R. Knapp. The American Musical and the Performance of Personal Identity. R. Knapp. Ballet and Opera in the Age of Giselle. M. Smith. Banding Together:How Communities Create Genres in Popular Music. J.C. Lena. Bartók and His World. P. Laki, ed. Beethoven and His World. S. Burnham and M.P. Steinberg, eds. Beethoven Hero. S. Burnham. Brahms and His World. W. Frisch and K.C. Karnes, eds. Camille Saint-Saëns and His World. J. Pasler, ed. Charles Ives and His World. J. Burkholder, ed. Climbing the Charts:What Radio Airplay Tells Us about the Diffusion of Innovation. G. Rossman. The Collected Essays of Milton Babbitt. M. Babbitt; S. Peles, S. Dembski, et al., eds. The Culture of Opera Buffa in Mozart's Vienna:A Poetics of Entertainment. M. Hunter. Debussy and His World. J. Fulcher, ed. Defining Russia Musically:Historical and Hermeneutical Essays. R. Taruskin. Domenico Scarlatti. R. Kirkpatrick. Drama and the World of Richard Wagner. D. Borchmeyer; D. Ellis, trans. Dvorák and His World. M. Beckerman, ed. Edward Elgar and His World. B. Adams, ed. Fascinating Rhythm:Reading Jazz in American Writing. D. Yaffe. Franz Liszt and His World. C.H. Gibbs and D. Gooley, eds. Franz Schubert and His World. C.H. Gibbs and M. Solvik, eds. Gregorian Chant and the Carolingians. K. Levy. Haydn and His World. E.R. Sisman, ed. Hearing and Knowing Music:The Unpublished Essays of Edward T. Cone. E.T. Cone; R.P. Morgan, ed. In Search of Opera. C. Abbate. Janácek and His World. M. Beckerman, ed. Jean Sibelius and His World. D.M. Grimley, ed. Leonora's Last Act:Essays in Verdian Discourse. R. Parker. Listening to Reason:Culture, Subjectivity, and Nineteenth-Century Music. M.P. Steinberg. Mad Loves:Women and Music in Offenbach's Les Contes d'Hoffmann. H. Hadlock. Mahler and His World. K. Painter, ed. Mendelssohn and His World. R.L. Todd, ed. Metaphysical Song:An Essay on Opera. G. Tomlinson. Mozart's Grace. S. Burnham. Music and Discourse:Toward a Semiology of Music. J. Nattiez; C. Abbate, trans. Music and the Ineffable. V. Jankélévitch; C. Abbate, trans. Music as Thought:Listening to the Symphony in the Age of Beethoven. M.E. Bonds. The Musical as Drama. S. McMillin. Musorgsky:Eight Essays and an Epilogue. R. Taruskin. Notes of a Pianist. L.M. Gottschalk; J. Behrend, ed. Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach. F. Neumann. Programming the Absolute:Nineteenth-Century German Music and the Hermeneutics of the Moment. B. Hoeckner. Puccini's Turandot:The End of the Great Tradition. W. Ashbrook and H. Powers. Quarter Notes and Bank Notes:The Economics of Music Composition in the Eighteenth and Nineteenth Centuries. F.M. Scherer. Reds, Whites, and Blues:Social Movements, Folk Music, and Race in the United States. W.G. Roy. Reflections on the Musical Mind:An Evolutionary Perspective. J. Schulkin. Richard Strauss and His World. B. Gilliam, ed. Richard Wagner, Fritz Lang, and the Nibelungen:The Dramaturgy of Disavowal. D.J. Levin. Schoenberg and His World. W. Frisch, ed. The Sense of Music. V. Zuckerkandl. The Sense of Music:Semiotic Essays. R. Monelle. Sergey Prokofiev and His World. S. Morrison, ed. Shaping Jazz:Cities, Labels, and the Global Emergence of an Art Form. D.J. Phillips. Shostakovich:A Life Remembered (Second Edition). E. Wilson. Shostakovich and His World. L.E. Fay, ed. Siren Songs:Representations of Gender and Sexuality in Opera. M. Smart, ed. The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. M. Marissen. Sound and Symbol, Volume 1:Music and the External World. V. Zuckerkandl; W.R. Trask, trans. Stravinsky and His World. T. Levitz. Sviatoslav Richter:Notebooks and Conversations. B. Monsaingeon; S. Spencer, trans. Thayer's Life of Beethoven, Part I. E. Forbes, ed. Thayer's Life of Beethoven, Part II. E. Forbes, ed. Unsung Voices:Opera and Musical Narrative in the Nineteenth Century. C. Abbate. Vocal Apparitions:The Attraction of Cinema to Opera. M. Grover-Friedlander. Wagner. M. Tanner. Richard Wagner and His World. T.S. Grey, ed. The Wagner Operas. E. Newman. Wagner. B. Millington. Why You Hear What You Hear:An Experiential Approach to Sound, Music, and Psychoacoustics. E.J. Heller.
File created: 4/24/2014
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