Art and the Second World War is the first book in English to provide a comprehensive and detailed international overview of the complex and often disturbing relationship between war and the fine arts during this crucial period of modern history. This generously illustrated volume starts by examining the art produced in reaction to the Spanish Civil War (often viewed as "the first battle of World War II"), and then looks at painting, sculpture, prints, and drawing in each of the major combatant nations, including Japan and China. Breathtaking in scope, this scholarly yet accessible publication places wartime art within its broader cultural, political, and military contexts while never losing sight of the power and significance of the individual image and the individual artist.
Monica Bohm-Duchen's thought-provoking analysis ranges from iconic paintings such as Picasso's Guernica to unfamiliar works by little-known artists. She reinstates war art by major artists as an integral part of their oeuvres and examines neglected topics such as the art produced in the Japanese-American and British internment camps, by victims of the Holocaust, and in response to the dropping of the atom bomb in 1945. In so doing, Bohm-Duchen addresses a host of fundamental issues, including the relationship between art and propaganda and between art and atrocity, and the role of gender, religion, and censorship, both external and internal.
Art and the Second World War offers an unparalleled comparative perspective that will appeal to anyone interested in art history, military history, or political and cultural studies.
Monica Bohm-Duchen is an independent writer, lecturer, and curator. Based in London, she has worked for such leading institutions as the Tate, the National Gallery, and the Royal Academy of Arts. Her many books include After Auschwitz: Responses to the Holocaust in Contemporary Art. She teaches a course on art and war at Birkbeck, University of London, and at New York University in London.
"[D]isturbingly attractive."--Sarah Harrison Smith, New York Times Book Review
"In this well-researched, clear-eyed assessment of art's relationship to the war that 'has left the darkest and most indelible mark on modern society,' Bohm-Duchen (After Auschwitz) presents a sobering overview of the official and nonofficial fine art produced in warring nations. . . . [T]he book is particularly impressive for the obscure work it covers. . . . Bohm-Duchen punctuates the narrative with astute insights. . . . Brimming with chilling full-color images, this handsome volume reaffirms the importance of WWII in relation to the fine arts."--Publishers Weekly
"A major contribution. Until now, there have been virtually no scholarly books that have dealt with Second World War art in a global context. Bohm-Duchen has written a wide-ranging, solid, intelligent survey that will interest many people. Specialists will especially appreciate the identification, classification, and discussion of large numbers of otherwise little-discussed artists and artworks."--Brian Foss, author of War Paint: Art, War, State, and Identity in Britain, 1939-1945
Table of Contents:
1 Civil War in Spain 1936-9: 'The First Battle of World War II' 14
2 Art in the Democracies: Great Britain 32
3 Art in the Democracies: the Commonwealth 56
4 Art in the Democracies: the USA 76
5 'France, Once the Haven of Exiles': Victim or Collaborator? 104
6 Art under the Dictators: Russia's Great Patriotic War 126
7 'Imperfect Totalitarianism': Art andn War in Fascist Italy 150
8 Art under the Dictators: Nazi War Art Reassessed 172
9 Art of the Holocaust: Creativity in Extremis 190
10 Bitter Victory: China's War of Resistance against Japan, 1937-45 212
11 Japan's Holy War, 1931-45 226
12 Endgame: Hiroshima and Nagasaki 224
Chronology of Key Events 275
Select Bibliography 277
Picture Credits 283
Cloth: For sale only in the United States and Canada