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  Bosch and Bruegel:
From Enemy Painting to Everyday Life
Bollingen Series XXXV: 57
Joseph Leo Koerner

Winner of the 2017 PROSE Award in Art History & Criticism, Association of American Publishers

Hardcover | 2016 | $65.00 | £54.95 | ISBN: 9780691172286
448 pp. | 8 x 11 | 275 color illus. 50 halftones.
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In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.

Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history’s unexplored underside: the image itself as an enemy.

An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists—including Bosch’s notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner’s A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.

Joseph Leo Koerner is the Victor S. Thomas Professor of the History of Art and Architecture and Senior Fellow of the Society of Fellows at Harvard University. His previous books include The Moment of Self-Portraiture in German Renaissance Art, The Reformation of the Image, and Caspar David Friedrich and the Subject of Landscape.

Reviews:

"[An] eloquent and rich exploration . . . based on Koerner's A.W. Mellon Lectures in the Fine Arts at the National Gallery of Art in Washington, the series of talks seamlessly form a book of linked essays that discuss individual paintings, with magnifying precisions, while simultaneously advancing a broader theory on art in a Europe emerging from its dark ages. . . . [Koerner's] observations bring Bosch's work into relevance today."--Nina Siegal, New York Times Book Review

"Among the many publications about art I acquired or received, the most important were Bosch and Bruegel: From Enemy Painting to Everyday Life, a long-awaited, provocative study of these two key painters by Harvard art historian Joseph Leo Koerner."--Sebastian Smee, Boston Globe

"A lucid and rewarding read."--Tracey Warr, Times Higher Education

"More gripping than a thriller. . . . A frightening, fascinating study. . . . It is rare, when reading a work of scholarly criticism, to be so gripped as to feel nervous about turning the page. Be warned: there are chapters here more frightening than a thriller because they allow us to see, with Bosch, infinitely multiplying sin. . . . This is a book to read and reread in any moment of doubt about what critical analysis can achieve. Koerner believes that every painting by Bruegel ‘can sustain a lifetime of looking.’ He has written a passionately attentive book that brings all life to bear on these pictures, and makes one feel that a lifetime of looking would be well spent."--Alexandra Harris, The Guardian

"An extremely thoughtful, wide-ranging examination of Hieronymus Bosch (?1450-1516) and Pieter Bruegel (1525-69), who have been considered together almost from their own time, this volume attests to the layers of meaning invested in these artists and to Koerner's erudition."--Choice

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Table of Contents:

Preface viii
Acknowledgments xii
Introduction Parallel Worlds
Chapter 1 In the Art-Historical Museum 2
Chapter 2 Life Time 11
Chapter 3 World Time 45
Chapter 4 From Bosch to Bruegel 77
Part I Hieronymus Bosch
Chapter 5 Enmity 96
Chapter 6 Among the Idols 151
Chapter 7 The Unspeakable Subject 179
Chapter 8 Self-Portraiture 223
Part II Pieter Bruegel the Elder
Chapter 9 History 268
Chapter 10 Culture 305
Chapter 11 Nature 331
Notes 365
Index 401
Photography and Copyright Credits 411

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