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The Insistence of the Indian:
Race and Nationalism in Nineteenth-Century American Culture
Susan Scheckel

Winner of the 1999 Book Award of the South Central Modern Language Association

Paper | 1998 | This book is out of print | ISBN13: 978-0-691-05964-8
Cloth | 1998 | This book is out of print | ISBN13: 978-0-691-05963-1
184 pp. | 6 x 9

e-Book | 2001 | $23.95 | ISBN: 978-1-4008-2258-4

| Endorsements | Table of Contents

Americans' first attempts to forge a national identity coincided with the apparent need to define--and limit--the status and rights of Native Americans. During these early decades of the nineteenth century, the image of the "Indian" circulated throughout popular culture--in the novels of James Fenimore Cooper, plays about Pocahontas, Indian captivity narratives, Black Hawk's autobiography, and visitors' guides to the national capitol. In exploring such sources as well as the political and legal rhetoric of the time, Susan Scheckel argues that the "Indian question" was intertwined with the ways in which Americans viewed their nation's past and envisioned its destiny. She shows how the Indians provided a crucial site of reflection upon national identity. And yet the Indians, by being denied the natural rights upon which the constitutional principles of the United States rested, also challenged American convictions of moral ascendancy and national legitimacy.

Scheckel investigates, for example, the Supreme Court's decision on Indian land rights and James Fenimore Cooper's popular frontier romance The Pioneers: both attempted to legitimate American claims to land once owned by Indians and to assuage guilt associated with the violence of conquest by incorporating the Indians in a version of the American political "family." Alternatively, the widely performed Pocahontas plays dealt with the necessity of excluding Indians politically, but also portrayed these original inhabitants as embodying the potential of the continent itself. Such examples illustrate a gap between principles and practice. It is from this gap, according to the author, that the nation emerged, not as a coherent idea or a realist narrative, but as an ongoing performance that continues to play out, without resolution, fundamental ambivalences of American national identity.

Endorsement:

"An original work in terms of both the material it examines and the analyses it provides, Susan Scheckel's book will be an important contribution not only to our knowledge of the archives but also to our discussion of the broader cultural issues."--Cheryl Walker, author of Indian Nation: Native American Literature and Nineteenth-Century Nationalisms

Table of Contents:

Acknowledgments
1The "Indian Problem" and the Question of National Identity3
2Cooper and the Sources of American National Identity15
3Domesticating the Drama of Conquest: Pocahontas on the Popular Stage41
4Mary Jemison and the Domestication of the American Indians70
5Black Hawk's Life: The Indian as Subject of History99
6A Guide to Remembrance: The Capitol Tour and the Construction of a U.S. Citizenry127
Notes153
Works Cited181
Index193

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File created: 11/10/2008

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