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New York Nocturne:
The City After Dark in Literature, Painting, and Photography, 1850-1950
William Chapman Sharpe

Winner of the 2009 Peter C. Rollins Award, Northeast Popular Culture/American Culture Association
Winner of the 2009 MSA Book Prize, Modernist Studies Association

Hardcover | 2008 | $46.95 / £32.95 | ISBN: 9780691133249
424 pp. | 7 x 10 | 29 color plates. 117 halftones. | SHOPPING CART

Reviews | Table of Contents
Introduction[PDF] pdf-icon

As early as the 1850s, gaslight tempted New Yorkers out into a burgeoning nightlife filled with shopping, dining, and dancing. Electricity later turned the city at night into an even more stunning spectacle of brilliantly lit streets and glittering skyscrapers. The advent of artificial lighting revolutionized the urban night, creating not only new forms of life and leisure, but also new ways of perceiving the nocturnal experience. New York Nocturne is the first book to examine how the art of the gaslit and electrified city evolved, and how representations of nighttime New York expanded the boundaries of modern painting, literature, and photography. Exploring the myriad images of Manhattan after dark, New York Nocturne shows how writers and artists took on the city's nocturnal blaze and transformed the scintillating landscape into an icon of modernity.

The book traces key metaphors of the nighttime city: a seductive Babylon in the mid-1850s, a misty fairyland colonized by an empire of light in the early twentieth century, and a skyscraper-studded land of desire that became a stage for the voyeurism and violence of the 1940s and 1950s. The epilogue suggests how these themes have continued to shape our vision of nighttime New York ever since. Abundantly illustrated, New York Nocturne includes original readings of works by Whitman, Poe, Whistler, Riis, Stieglitz, Abbott, O'Keeffe, Stella, Hopper, Weegee, Ellison, Jacquette, and many others. Collectively, they tell a fascinating story about the relationship between night, art, and modern urban life.

Review:

"Sharpe says that the 'first dark glimmer' for his book came as he was looking at work by the expatriate American painter James Abbott McNeill Whistler. . . . Sharpe shows how the aesthetics of [Whistler's] 'nocturnes' abroad shaped paintings and photographs of night in New York, including work by such figures as John Sloan, Arthur Stieglitz, and Edward Steichen. The nocturne form, he says, helped photography claim status as an art. Beyond words, the book offers nearly 150 often haunting and sometimes touching images."--Nina C. Ayoub, The Chronicle of Higher Education

"By now an archetypal image, the New York skyline at night captures the excitement and beauty of a city still humming long after bedtime. . . . William Chapman Sharpe offers an academic tour through a landscape that was transformed by gaslight and the advent of electricity. . . . Artists such as Joseph Stella, Georgia O'Keeffe, Edward Hopper and Faith Ringgold were drawn to the new glow, and writers from Joseph Conrad to Ralph Ellison came to investigate urban life after dark. Sharpe's examination of nocturnal art and storytelling tracks the ways illumination changed city life forever."--Patrick Huguenin, New York Daily News

"New York City claimed the title 'capital of the 20th century' not owing to its magnitude and energy but for its hold on the imagination of people around the world. While we wait to see what will succeed it as capital of the 21st, Columbia University Professor of English William Chapman Sharpe provides a brilliant look back in New York Nocturne. . . . Ranging freely between the literary and visual arts, Sharpe seeks the roots of American modernism in nighttime city life. He has something involving and informative to say about every topic he touches."--Kenneth Baker, San Francisco Chronicle

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    File created: 11/10/2014

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