In a postcolonial world, where structures of power, hierarchy, and domination operate on a global scale, writers face an ethical and aesthetic dilemma: How to write without contributing to the inscription of inequality? How to process the colonial past without reverting to a pathology of self-disgust? Can literature ever be free of the shame of the postcolonial epoch--ever be truly postcolonial? As disparities of power seem only to be increasing, such questions are more urgent than ever. In this book, Timothy Bewes argues that shame is a dominant temperament in twentieth-century literature, and the key to understanding the ethics and aesthetics of the contemporary world.
Drawing on thinkers such as Jean-Paul Sartre, Frantz Fanon, Theodor Adorno, and Gilles Deleuze, Bewes argues that in literature there is an "event" of shame that brings together these ethical and aesthetic tensions. Reading works by J. M. Coetzee, Joseph Conrad, Nadine Gordimer, V. S. Naipaul, Caryl Phillips, Ngugi wa Thiong'o, and Zoë Wicomb, Bewes presents a startling theory: the practices of postcolonial literature depend upon and repeat the same structures of thought and perception that made colonialism possible in the first place. As long as those structures remain in place, literature and critical thinking will remain steeped in shame.
Offering a new mode of postcolonial reading, The Event of Postcolonial Shame demands a literature and a criticism that acknowledge their own ethical deficiency without seeking absolution from it.
"Bewes has established himself as a leading theorist of negative affect. . . . Bewes's account of the materialization of shame that is less communicative than affective, and thus potentially transformative, should interest readers across the humanities and social sciences."--Choice
"Whether one finds that Bewes's move to the structural level opens up new horizons for literary study or abstracts too decisively from historical situatedness will depend on one's theoretical inclinations. For readers of either proclivity, however, his intelligent and original book is likely to elicit a lively and engaged response."--Michael Rothberg, Project Muse
"Bewes book constitutes a welcome and original intervention in postcolonial theory, and the questions he asks go to the heart of the postcolonial dilemma. . . . These questions are crucial, and Bewes' vision of 'a writing freed from the shaming, subtractive consciousness of a being who writes' surely points us in the right direction."--Ursula Kluwick, Project Muse
"Compelling, probing, and conceptually masterful."--David James, Twentieth-Century Literature
"There is much to be said in praise of Bewes' achievement in this work. The theoretical structure he proposes is outlined with admirable clarity in its opening sections, in clear prose that should be a model for academic writing. Each chapter refines and embellishes this theoretical structure, building logically on the work of preceding chapters and towards those that follow. Each theoretical innovation is elucidated through a textual encounter, and in each case the result is a strikingly original reading of a canonical postcolonial novel. . . . What he provides us with here is nothing less than a groundbreaking new theory of the novel."--Tom Langley, Interventions
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