Poems Under Saturn is the first complete English translation of the collection that announced Paul Verlaine (1844-1896) as a poet of promise and originality, one who would come to be regarded as one of the greatest of nineteenth-century writers. This new translation, by respected contemporary poet Karl Kirchwey, faithfully renders the collection's heady mix of classical learning and earthy sensuality in poems whose rhythm and rhyme represent one of the supreme accomplishments of French verse. Restoring frequently anthologized poems to the context in which they originally appeared, Poems Under Saturn testifies to the blazing talents for which Verlaine is celebrated.
The poems display precocious virtuosity, mingling the attractions of the flesh with the longings of the spirit. Greek and Hindu myth give way to intimate erotic meditations and wickedly satirical society portraits, mythological landscapes alternate with gritty narratives of mid-nineteenth century Paris, visions of happiness yield to nightmarish glimpses of deep alienation, and real and imaginary characters--including Achilles, Valmiki, Charlemagne, and Spain's baleful King Philip II--all figure as the subject matter of a supremely ambitious young poet.
Poems Under Saturn presents the extraordinary devotion and intense musicality of an artist for whom poetry remained the one true passion.
"Although this line occurred in Verlaine's third book, Rimbaud may well have also have been familiar with the first, 'Poemes saturniens,' or 'Poems Under Saturn,' which was published in 1866 and has recently appeared in a deftly rhymed and metered new translation by Karl Kirchwey that offers it for the first time in English as an integral volume."--Lydia Davis, New York Times Book Review
"Karl Kirchwey achieves some masterful effects in his translation of Verlaine's large collection Poems Under Saturn. . . . Kirchwey can be wonderfully accurate in rendering the meaning of Verlaine's words and is very sensitive to the rhythm of the lines. His translation of the final stanza of 'Evening Star' is remarkable: The barn owls awaken and, silent/Oar the black air with their heavy wings/And the zenith fills with dull glimmerings./Pale Venus rises, and it is night. Using 'oar' as a verb is a touch of genius and enlivens the verse."--New York Review of Books
"Karl Kirchwey's translations of early Verlaine are true to the emotional coloring and musicality of the originals, their Baudelairean ambiguities of feeling, their exciting mixture of dictions. 'Classic Walpurgisnacht' is one of many renderings which seem to me masterly."--Richard Wilbur, author of Collected Poems, 1943-2004
"Beautifully attentive to Verlaine's moods and melodies, Kirchwey catches the harmonies and dissonances, the tenderness, bile, and rage, of Verlaine's astonishing first book of poems. With its learned introduction and notes, this translation is a work of art of the first order: a perfect introduction to the young Verlaine for readers who do not know French, and a graceful meditation on Verlaine's poetics for readers who have long known and loved the poems in the original."--Rosanna Warren, author of Departure: Poems
Table of Contents:
- FrontMatter, pg. i
- Contents, pg. v
- Acknowledgments, pg. vii
- Introduction, pg. ix
- Les Sages d’autrefois / The ancient Sages, pg. 2
- Prologue, pg. 5
- Melancholia / Melancholia, pg. 15
- Eaux-fortes / Etchings, pg. 33
- Paysages tristes / Sad Landscapes, pg. 49
- Caprices / Caprices, pg. 67
- Autres poèmes / Other Poems, pg. 81
- Épilogue / Epilogue, pg. 135
- Notes, pg. 145