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The Philosopher, the Priest, and the Painter:
A Portrait of Descartes
Steven Nadler

Paperback | May 2015 | $17.95 / £12.50 | ISBN: 9780691165752
Hardcover | 2013 | $27.95 / £19.95 | ISBN: 9780691157306
248 pp. | 5 x 8 | 10 color illus. 21 halftones. | SHOPPING CART

eBook | ISBN: 9781400847594 |
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In the Louvre museum hangs a portrait of a middle-aged man with long dark hair, a mustache, and heavy-lidded eyes, and he is dressed in the starched white collar and black coat of the typical Dutch burgher. The painting is now the iconic image of René Descartes, the great seventeenth-century French philosopher. And the painter of the work? The Dutch master Frans Hals--or so it was long believed, until the work was downgraded to a copy of an original. But where, then, is the authentic version located, and who painted it? Is the man in the painting--and in its original--really Descartes?

A unique combination of philosophy, biography, and art history, The Philosopher, the Priest, and the Painter investigates the remarkable individuals and circumstances behind a small portrait. Through this image--and the intersecting lives of a brilliant philosopher, a Catholic priest, and a gifted painter--Steven Nadler opens up a fascinating portal into Descartes's life and times, skillfully presenting an accessible introduction to Descartes's philosophical and scientific ideas, and an illuminating tour of the volatile political and religious environment of the Dutch Golden Age. As Nadler shows, Descartes's innovative ideas about the world, about human nature and knowledge, and about philosophy itself, stirred great controversy. Philosophical and theological critics vigorously opposed his views, and civil and ecclesiastic authorities condemned his writings. Nevertheless, Descartes's thought came to dominate the philosophical world of the period, and can rightly be called the philosophy of the seventeenth century.

Shedding light on a well-known image, The Philosopher, the Priest, and the Painter offers an engaging exploration of a celebrated philosopher's world and work.

Steven Nadler is the William H. Hay II Professor of Philosophy at the University of Wisconsin--Madison. His books include Rembrandt’s Jews, which was a finalist for the Pulitzer Prize; Spinoza: A Life, which won the Koret Jewish Book Award; and A Book Forged in Hell: Spinoza’s Scandalous Treatise and the Birth of the Secular Age (Princeton).

Review:

"Steven Nadler has produced another gem of original research and lively and lucid writing."--Catherine Wilson, Times Literary Supplement

"Riveting. . . . In The Philosopher, the Priest, and the Painter, Nadler has . . . written his most inviting book yet. . . . Nadler's detective work makes for fascinating reading. . . . [T]he resulting survey of Golden Age Dutch culture, Cartesian philosophy and art connoisseurship . . . makes for . . . very welcome intellectual entertainment."--Michael Dirda, Washington Post

"[B]y situating him firmly in his time and place, [Nadler] makes clear what made Descartes the intellectual superstar of his day. . . . [A]n original, intriguing set-up. . . . [A]s an introduction to Descartes' philosophy, it is excellent."--David Wolf, Slate

"As one would expect from a distinguished philosopher such as Nadler, the description of Descartes's philosophy, and in particular his Discourse (1637) and Meditations (1641), is flawless."--Jerry Brotton, Literary Review

"Cartesian iconography centers around a widely known portrait of Descartes attributed to Frans Hals. In this book, Nadler uses the story of that painting's origin to present a study of Descartes and his philosophy that will be accessible to a wide audience. . . . [T]his volume serves as a very good introduction to Descartes's philosophy in historical context."--Choice

"[C]harming. . . . Nadler, an American philosopher and author, has written an immensely readable introduction to Descartes."--Australian

"[A] landscape (or at least a well-turned charcoal sketch) of religious, artistic, and economic life in the Netherlands during the first half of the 17th century. . . . Nadler's book . . . takes us back upstream a ways--beginning, rather than exempting us from, a dialog with the dead."--Scott McLemee, Inside Higher Ed

"[A]bsorbing."--France Magazine

More reviews

Table of Contents:

Illustrations ix
Acknowledgments xiii
Chapter 1 Prologue: A Tale of Two Paintings 1
Chapter 2 The Philosopher 8
Chapter 3 The Priest 36
Chapter 4 The Painter 55
Chapter 5 "Once in a Lifetime" 87
Chapter 6 A New Philosophy 111
Chapter 7 God in Haarlem 143
Chapter 8 The Portrait 174
Notes 199
Bibliography 219
Index 227

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