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Vision, Race, and Modernity:
A Visual Economy of the Andean Image World
Deborah Poole

One of Choice's Outstanding Academic Titles for 1997

Paperback | 1997 | $39.95 / £27.95 | ISBN: 9780691006451
272 pp. | 6 x 9 | 75 halftones
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Endorsements | Table of Contents

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Through an intensive examination of photographs and engravings from European, Peruvian, and U.S. archives, Deborah Poole explores the role visual images and technologies have played in shaping modern understandings of race. Vision, Race, and Modernity traces the subtle shifts that occurred in European and South American depictions of Andean Indians from the late eighteenth to the early twentieth centuries, and explains how these shifts led to the modern concept of "racial difference." While Andean peoples were always thought of as different by their European describers, it was not until the early nineteenth century that European artists and scientists became interested in developing a unique visual and typological language for describing their physical features. Poole suggests that this "scientific" or "biological" discourse of race cannot be understood outside a modern visual economy. Although the book specifically documents the depictions of Andean peoples, Poole's findings apply to the entire colonized world of the nineteenth century.

Poole presents a wide range of images from operas, scientific expeditions, nationalist projects, and picturesque artists that both effectively elucidate her argument and contribute to an impressive history of photography. Vision, Race, and Modernity is a fascinating attempt to study the changing terrain of racial theory as part of a broader reorganization of vision in European society and culture.

Endorsement:

"Bold in its conception, brilliant in its execution, this book catches the eye and stimulates the imagination through its thoughtful examination of diverse visual representations from colonial and postcolonial Peru. It engages the mind and lingers in the memory for its original and persuasive reframing of the centrality of vision to issues of science, technology, power and race in the modern world. It will be of interest not only to Latin American specialists, to historians of art and photography, and to cultural studies audiences broadly, but to all those who seek to understand the globalization of images and ideologies in the contemporary era."--Benjamin Orlove, University of California, Davis

Table of Contents:

List of Illustrations
Acknowledgments
Ch. 1Introduction3
Ch. 2The Inca Operatic25
Ch. 3An Economy of Vision58
Ch. 4A One-Eyed Gaze85
Ch. 5Equivalent Images107
Ch. 6The Face of a Nation142
Ch. 7The New Indians168
Ch. 8Negotiating Modernity198
Notes217
References239
Index253

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    File created: 11/10/2014

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