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The Eternal City:
Poems
Kathleen Graber

Winner of the 2012 Book Merit Award in the General Trade, Poetry Series, New York Book Show
Finalist for the 2010 National Book Award in Nonfiction
Winner of the 2011 Literary Award for Poetry, Library of Virginia
Finalist for the 2010 National Book Critics Circle in Poetry
Finalist for the 2011 William Carlos Williams Award, Poetry Society of America

Paperback | 2010 | $19.95 / £11.95 | ISBN: 9780691146102
104 pp. | 6 x 9
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eBook | ISBN: 9781400836109 |
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Reviews | Table of Contents
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Kathleen Graber
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Chosen by Pulitzer Prize-winning poet Paul Muldoon to relaunch the prestigious Princeton Series of Contemporary Poets under his editorship, The Eternal City revives Princeton’s tradition of publishing some of today’s best poetry.

With an epigraph from Freud comparing the mind to a landscape in which all that ever was still persists, The Eternal City offers eloquent testimony to the struggle to make sense of the present through conversation with the past. Questioning what it means to possess and to be possessed by objects and technologies, Kathleen Graber’s collection brings together the elevated and the quotidian to make neighbors of Marcus Aurelius, Klaus Kinski, Walter Benjamin, and Johnny Depp. Like Aeneas, who escapes Troy carrying his father on his back, the speaker of these intellectually and emotionally ambitious poems juggles the weight of private and public history as she is transformed from settled resident to pilgrim.
______

From The Eternal City:
WHAT I MEANT TO SAY

Kathleen Graber

In three weeks I will be gone. Already my suitcase stands
overloaded at the door. I’ve packed, unpacked, & repacked it,
making it tell me again & again what it couldn’t hold.
Some days it’s easy to see the signifi cant insignificance
of everything, but today I wept all morning over the swollen,
optimistic heart of my mother’s favorite newscaster,
which suddenly blew itself to stillness. I have tried for weeks
to predict the weather on the other side of the world: I don’t want
to be wet or overheated. I’ve taken out The Complete Shakespeare
to make room for a slicker. And I’ve changed my mind
& put it back. Soon no one will know what I mean when I speak.
Last month, after graduation, a student stopped me just outside
the University gates despite a downpour. He wanted to tell me
that he loved best James Schuyler’s poem for Auden.
So much to remember, he recited in the rain, as the shops
began to close their doors around us. I thought he would live
a long time. He did not
. Then, a car loaded with his friends
pulled up honking & he hopped in. There was no chance to linger
& talk. Today I slipped into the bag between two shoes that book
which begins with a father digging--even though my father
was no farmer & planted ever only one myrtle late in his life
& sat in the yard all that summer watching it grow as he died,
a green tank of oxygen suspirating behind him. If the suitcase
were any larger, no one could lift it. I’m going away for a long time,
but it may not be forever. There are tragedies I haven’t read.
Kyle, bundle up. You’re right. It’s hard to say simply what is true.
For Kyle Booten

Review:

"Graber is one of the most interesting, slippery and philosophical new poets to come along in a while. . . . [W]hat makes Graber's poems so fresh and wild are the associative slips that happen between the distant past and the urgent present."--Publishers Weekly

"[N]othing short of a revelation. Graber is a new poet that we should have always had but didn't until just now. Graber is the kind of poet who thinks out loud, though not in the tricky, needley way of John Ashbery, but like someone very smart and very well-read trying to get to the bottom of every troubling and exciting thought. She thinks about her day to day life, family and friends, their every day goings on, their deaths and big tragedies, and she thinks about big ideas--life, death, meaning--mostly in the same poem. She name-checks some of the big figures of Western thought--Marcus Aurelius and Walter Benjamin, for instance--but does so as if she were talking to or about friends. She manages to do a scholar's work in these poems without the alienating haughtiness of many scholars. And despite their learned-ness, these are poems anyone could love. . . . If you only read one book of poetry this year, that's not enough, but start with this one."--Craig Teicher, Publishers Weekly

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Table of Contents:

Tolle! Lege! 1
The Magic Kingdom 5
Dead Man 7
Florum Principi 10
The Drunkenness of Noah 14
Fitzcarraldo 16
The Third Day 18
The Heresies 20
UnChien Andalou 22
The Synthetic A Priori 25
The Eternal City 31
Book One 32
Book Two 33
Book Three 34
Book Four 35
Book Five 36
Book Six 37
Book Seven 38
Book Eight 39
Book Nine 40
Book Ten 41
Book Eleven 42
Book Twelve 43
Another Poem about Trains 47
What I Meant to Say 51
Some Great Desire 52
Three Poems for Walter Benjamin 54
Loggia 54
The Telephone 57
The Cabinet 59
No Lightsome Thing 62
Angels Unawares 64
Letter from Cornwall: To Stephen Dunn 68
Letter from Gozo: To Gerald Stern 71
The Festival at Nikko 74
Acknowledgments 75
Notes 77

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      File created: 7/11/2014

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