Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism.
Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topics include Weimar representations of urban dystopia in Fritz Lang's 1927 film Metropolis; 1960s modernist architecture in Mexico City; Hollywood film noir of the 1940s and 1950s; the recurring fictional destruction of Tokyo in postwar Japan's sci-fi doom culture; the urban fringe in Bombay cinema; fictional explorations of urban dystopia in postapartheid Johannesburg; and Delhi's out-of-control and media-saturated urbanism in the 1980s and 1990s. What emerges in Noir Urbanisms is the unsettling and disorienting alchemy between dark representations and the modern urban experience.
In addition to the editor, the contributors are David R. Ambaras, James Donald, Rubén Gallo, Anton Kaes, Ranjani Mazumdar, Jennifer Robinson, Mark Shiel, Ravi Sundaram, William M. Tsutsui, and Li Zhang.
"Noir Urbanisms deserves to be widely read and debated. In describing why inequalities or disasters have occurred, this becomes a lesson for the architects and urban designers master-planning cities of the future."--Esme Fieldhouse, Blueprint Magazine
"This collection of essays is a welcome addition to urban cultural studies. By bridging the history of dystopian imaginings and urban social and cultural history, it opens up new territory for interdisciplinary discussion."--Jordan Sand, Georgetown University
"This is an exciting collection ranging across an impressive disciplinary span, including not only history and film studies but also anthropology, geography, and modern languages. The volume combines scholarly rigor with political and social engagement, and is full of eloquence and insight. It speaks to researchers across the arts, humanities, and social sciences who are concerned with the place of urban spaces in the dystopic visions of modernity."--Jackie Stacey, University of Manchester
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Other Princeton books authored or coauthored by Gyan Prakash: