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The Plum in the Golden Vase or, Chin P’ing Mei:
Volume Four: The Climax
Translated by David Tod Roy

Paperback | 2015 | $39.95 | £27.95 | ISBN: 9780691169828
Hardcover | 2011 | $43.95 | ($30.77) / £29.95 | (£20.97) | ISBN: 9780691150437
1032 pp. | 6 x 9 | 40 line illus.
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eBook | ISBN: 9781400838585 |
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This is the fourth and penultimate volume in David Roy’s celebrated translation of one of the most famous and important novels in Chinese literature. The Plum in the Golden Vase or, Chin P’ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch’ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form—not only from a specifically Chinese perspective but in a world-historical context.

This complete and annotated translation aims to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

David Tod Roy is professor emeritus of Chinese literature at the University of Chicago, where he has studied the Chin P’ing Mei and taught it in his classes since 1967.


"[A] book of manners for the debauched. Its readers in the late Ming period likely hid it under their bedcovers."--Amy Tan, New York Times Book Review

Praise for the previous volumes: "[I]t is time to remind ourselves that The Plum in the Golden Vase is not just about sex, whether the numerous descriptions of sexual acts throughout the novel be viewed as titillating, harshly realistic, or, in Mr. Roy's words, intended 'to express in the most powerful metaphor available to him the author's contempt for the sort of persons who indulge in them.' The novel is a sprawling panorama of life and times in urban China, allegedly set safely in the Sung dynasty, but transparently contemporary to the author's late sixteenth-century world, as scores of internal references demonstrate. The eight hundred or so men, women, and children who appear in the book cover a breath-taking variety of human types, and encompass pretty much every imaginable mood and genre--from sadism to tenderness, from light humor to philosophical musings, from acute social commentary to outrageous satire."--Jonathan Spence, New York Review of Books

Praise for previous volumes: "Reading Roy's translation is a remarkable experience."--Robert Chatain, Chicago Tribune Review of Books

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