In The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality.
About the Author
Margaret Cohen is the Andrew B. Hammond Professor of French Language, Literature, and Civilization at Stanford University, where she teaches in the Department of English. Her books include the award-winning The Novel and the Sea and The Sentimental Education of the Novel (both Princeton), as well as Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution. She is also the coeditor of The Aesthetics of the Undersea and general editor of A Cultural History of the Sea. She lives in Stanford, California.