Bridget Alsdorf

How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French art

A beautiful presentation of fifty masterworks of late 19th- to mid-20th-century avant-garde European art from one of America’s most distinguished private collections

Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining...