Art & Architecture

Aline B. Louchheim (1914–1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. 

To describe the fairy-tale effect of the Isabella Stewart Gardner Museum’s spellbinding interior is to verge upon the cliché—and yet, the historical bridge between its enchanting atmosphere and the global travels of the museum’s founder and namesake is a complicated one that needs restoration.

One of the curiosities of the Russian invasion of Ukraine is how, even amid the deprivations of a savage war, Ukrainians have turned their attention to destroying or de-Russifying Soviet monuments and protecting their own.

Moving away from those who might wish to find a universal symbolism or archetypal truth in a color, Michel Pastoureau’s The History of a Color series has sought to understand color as first and foremost a social phenomenon, one with historically grounded realities and effects.

Bohemian San Francisco gained a new gathering place in 1960 when the deep-pocketed aspiring painter Billie Jahrmarkt and his wife Joan decided to found a gallery for the benefit of their artistic and literary friends. Two such, artist Bruce Conner and poet/playwright Michael McClure, took the project in hand.